Lives of all saints commemorated on April 9

Great and Holy Saturday is the day on which Christ reposed in the tomb. The Church calls this day the Blessed Sabbath.

“The great Moses mystically foreshadowed this day when he said:
God blessed the seventh day.
This is the blessed Sabbath
This is the day of rest,
on which the only-begotten Son of God rested from all His works....”

(Vesperal Liturgy of Holy Saturday)

By using this title the Church links Holy Saturday with the creative act of God. In the initial account of creation as found in the Book of Genesis, God made man in His own image and likeness. To be truly himself, man was to live in constant communion with the source and dynamic power of that image: God. Man fell from God. Now Christ, the Son of God through whom all things were created, has come to restore man to communion with God. He thereby completes creation. All things are again as they should be. His mission is consummated. On the Blessed Sabbath He rests from all His works.

THE TRANSITION

Holy Saturday is a neglected day in parish life. Few people attend the Services. Popular piety usually reduces Holy Week to one day—Holy Friday. This day is quickly replaced by another—Easter Sunday. Christ is dead and then suddenly alive. Great sorrow is suddenly replaced by great joy. In such a scheme Holy Saturday is lost.

In the understanding of the Church, sorrow is not replaced by joy; it is transformed into joy. This distinction indicates that it is precisely within death that Christ continues to effect triumph.

TRAMPLING DOWN DEATH BY DEATH

We sing that Christ is “...trampling down death by death” in the troparion of Easter. This phrase gives great meaning to Holy Saturday. Christ’s repose in the tomb is an “active” repose. He comes in search of His fallen friend, Adam, who represents all men. Not finding him on earth, he descends to the realm of death, known as Hades in the Old Testament. There He finds him and brings him life once again. This is the victory: the dead are given life. The tomb is no longer a forsaken, lifeless place. By His death Christ tramples down death by death.

THE ICON OF THE DESCENT INTO HADES

The traditional icon used by the Church on the feast of Easter is an icon of Holy Saturday: the descent of Christ into Hades. It is a painting of theology, for no one has ever seen this event. It depicts Christ, radiant in hues of white and blue, standing on the shattered gates of Hades. With arms outstretched He is joining hands with Adam and all the other Old Testament righteous whom He has found there. He leads them from the kingdom of death. By His death He tramples death.

“Today Hades cries out groaning:
I should not have accepted the Man born of Mary.
He came and destroyed my power.
He shattered the gates of brass.
As God, He raised the souls I had held captive.
Glory to Thy cross and resurrection, O Lord!”
(Vesperal Liturgy of Holy Saturday)

THE VESPERAL LITURGY

The Vespers of Holy Saturday inaugurates the Paschal celebration, for the liturgical cycle of the day always begins in the evening. In the past, this service constituted the first part of the great Paschal vigil during which the catechumens were baptized in the “baptisterion” and led in procession back into the church for participation in their first Divine Liturgy, the Paschal Eucharist. Later, with the number of catechumens increasing, the first baptismal part of the Paschal celebration was disconnected from the liturgy of the Paschal night and formed our pre-paschal service: Vespers and the Liturgy of Saint Basil the Great which follows it. It still keeps the marks of the early celebration of Pascha as baptismal feast and that of Baptism as Paschal sacrament (death and resurrection with Jesus Christ—Romans 6).

On “Lord I Call” the Saturday Resurrectional stichiras of Tone 1 are sung, followed by the the special stichiras of Holy Saturday, which stress the death of Christ as descent into Hades, the region of death, for its destruction. But the pivotal point of the service occurs after the Entrance, when fifteen lessons from the Old Testament are read, all centered on the promise of the Resurrection, all glorifying the ultimate Victory of God, prophesied in the victorious Song of Moses after the crossing of the Red Sea (“Let us sing to the Lord, for gloriously has He been glorified”), the salvation of Jonah, and that of the three youths in the furnace.

Then the epistle is read, the same epistle that is still read at Baptism (Romans 6:3-11), in which Christ’s death and resurrection become the source of the death in us of the “old man,” the resurrection of the new, whose life is in the Risen Lord. During the special verses sung after the epistle, “Arise, O God, and judge the earth,” the dark lenten vestments are put aside and the clergy vest in the bright white ones, so that when the celebrant appears with the Gospel the light of Resurrection is truly made visible in us, the “Rejoice” with which the Risen Christ greeted the women at the grave is experienced as being directed at us.

The Liturgy of Saint Basil continues in this white and joyful light, revealing the Tomb of Christ as the Life-giving Tomb, introducing us into the ultimate reality of Christ’s Resurrection, communicating His life to us, the children of fallen Adam.

One can and must say that of all services of the Church that are inspiring, meaningful, revealing, this one: the Vespers and Liturgy of Saint Basil the Great and Holy Saturday is truly the liturgical climax of the Church. If one opens one’s heart and mind to it and accepts its meaning and its light, the very truth of Orthodoxy is given by it, the taste and the joy of that new life which shines forth from the grave.

Rev. Alexander Schmemann

The Holy Martyr Eupsychius was born in the city of Caesarea in Cappadocia and received a Christian upbringing by his illustrious parents.

During the reign of Julian the Apostate (361-363), Saint Eupsychius entered into a Christian marriage.

At Caesarea there was a pagan temple to the goddess Fortuna, whom Julian the Apostate revered. As Eupsychius was going to his wedding, the pagans were offering sacrifice to the goddess Fortuna.

Saint Eupsychius was filled with zeal for the Lord, and he destroyed the temple. He knew that this would inevitably result in his punishment. Saint Eupsychius distributed all his possessions to the poor and prepared himself for martyrdom.

The enraged emperor Julian loosed his wrath not only upon Saint Eupsychius, but against all the inhabitants of this city. Some of the citizens were executed, while the more respectable were sent into exile. Christian clergy were drafted into military service, and he looted the churches of anything valuable. The city was deprived of its title Caesarea [i.e. “Imperial”] and resumed its original name of Maza. He also imposed a severe tax on the inhabitants. The emperor threatened to annihilate the city altogether, if the people did not build a new pagan temple in place of the one destroyed.

Julian tried to compel Saint Eupsychius to offer sacrifice to idols. For many days they tormented the saint on a rack, and also with iron claws. But his faith was firm, and the judge sentenced the martyr to be beheaded with a sword.

Then Julian embarked on a campaign against the Persians, marching through Cappadocia and approaching Caesarea. Danger threatened the city, since the emperor intended to raze it to its foundations. But then Saint Basil the Great (January 1), showing Julian the proper respect as sovereign authority, came out to meet him carrying with him three loaves of barley bread, which he ate. The emperor ordered his retainers to take the loaves, and to give Saint Basil a pinch of hay saying, “You have given us barley, cattle fodder. Now receive hay from us in return.”

The saint answered, “O Emperor, we bring you that which we ourselves eat, and you give us cattle feed. You mock us, since you, by your might, are not able to transform hay into bread, the essential food of mankind.”

Julian angrily retorted, “I’ll shove this hay down your throat when I return here from Persia. I shall raze this city to its very foundations, and plow over this ground and turn it into a field. I know that it was on your advice that the people dared to destroy the statues and temple of Fortuna.”

After this the emperor continued on his way, but soon perished in his campaign against the Persians. He was struck down in the year 363 by the holy Great Martyr Mercurius (November 24).

After the emperor’s demise, the Christians of the city of Caesarea built a splendid church over the grave of Saint Eupsychius, and from his holy relics they received help and healing.

The Holy Martyrs Bishop Desan, Presbyter Mariabus, Abdiesus, and 270 others were put to death under the Persian emperor Sapor II. Imprisoned, they refused to turn away from the Christian Faith. In their number also was the Martyr Ia, who is commemorated also on September 11.

Monk Martyr Archimandrite Bademus (Vadim) was born in the fourth century in the Persian city of Bithlapata, and was descended from a rich and illustrious family. In his youth, he was enlightened with the Christian teaching. The saint gave away all his wealth to the poor and withdrew into the wilderness, where he founded a monastery. He would go up on a mountain for solitary prayer, and once was permitted to behold the Glory of God.

During this period the Persian emperor Sapor (310-381) began to persecute Christians. They arrested Saint Bademus and his seven disciples, and tortured them in prison, hoping that they would renounce Christ and worship the sun and fire. But Saint Bademus and his disciples held firmly to the Christian Faith. The confessors spent four months in jail. All this time Saint Bademus was a spiritual leader and support for the Christians living in Persia.

One of the associates of the emperor Sapor, Nirsanes, was a Christian and suffered imprisonment for this. He did not hold up under torture and denied Christ, promising to fulfill whatever the emperor commanded. Sapor demanded that Nirsanes personally cut off the head of Saint Bademus. For this he was promised a reprieve and great rewards. Nirsanes was not able to overcome his fear of new tortures, and he agreed to follow the path of betrayal walked by Judas.

When they brought Saint Bademus to him, he took the sword and turned toward him, but overcome by conscience, he trembled and stood petrified. Saint Bademus said to him, “Has your wickedness now reached this point, Nirsanes, that you should not only renounce God, but also murder His servants? Woe to you, accursed one! What will you do on that day when you stand before the Dread Judgment Seat? What answer will you give to God? I am prepared to die for Christ, but I don’t want to receive death at your hands.”

Nirsanes struck with the sword, but his hands shook, and he could not behead the saint immediately, and the fire-worshippers began to call him a coward. The holy martyr Bademus stood motionless, enduring many terrible blows, until the murderer succeeded in cutting off his head.

The just punishment for his misdeeds were not slow in overtaking the hapless fellow. Tormented by his conscience, he did away with himself, throwing himself on a sword. After the death of the emperor Sapor, the seven disciples of Saint Bademus were released from prison.

Saint Eleni (who was also called Susanna) is one of the New Martyrs of Lesbos who are commemorated on Bright Tuesday. She was Saint Irene’s older cousin, and suffered along with Saints Raphael, Nicholas, and Irene on April 9, 1463 (Bright Tuesday).

On November 12, 1961 Mrs. Basilike Rallis had a dream in which she saw herself by the church at Karyes near the town of Thermi on the Greek island of Lesbos. As she looked inside the church, she saw a young girl about fourteen or fifteen years old, with a dark complexion and dark hair. Since the girl was praying, Mrs Rallis also began to pray. The girl turned to her and said, “Do you know who I am? I am a martyr. Not like Renoula (a diminutive form of Irene), of course, but if you only knew what I endured! I lived with the mayor’s family, and I was also with them when the Turks tortured them here. They mistreated me and gave me such a horrible beating that I died from the pains. My name is Eleni.”

The saint also told Mrs Rallis about an icon of the Mother of God that she had been asking about, revealing to her the place where it would be found.

When she awoke, Mrs Rallis was reluctant to mention this dream to anyone. She said to herself, “If there really is another martyr named Eleni, I’ll see her again. Maybe someone else will see her, too, then I’ll tell. But who was this Eleni who lived with the mayor’s family? Perhaps she was their servant.”

The next night, she dreamed that she was in the village church. She saw three clerics coming out through the left door of the altar. She made the Sign of the Cross at once, for she thought that Satan might be tempting her. Then she saw the three clerics make the Sign of the Cross, too. They looked at her and smiled as they slowly proceeded to the center of the church.

“I recognized Saint Raphael and Saint Nicholas right away,” Mrs Rallis recalled, “but did not know the other saint. He was tall, middle-aged with a long grey beard and a lordly air about him.”

At that moment, a girl with a round face came out by the same door. She was beautiful, and she wore a rose-colored dress. Mrs Rallis approached her and, kneeling before her, she asked, “Are you also a saint?”

“Yes,” the girl replied. “Sit down beside me, watch quietly and I will explain some things to you.”

Then other people began to come out from the same door and approached the saints. First, a man of medium height with civilian clothes and a long grey jacket. The girl said to Mrs Rallis, “The teacher, Theodore.” He was followed by another well-formed man. The saint said, “The mayor, Basil (Saint Irene’s father).” Then a tall, stout woman of about forty came forth with two girls whom Mrs Rallis recognized at once.They were Saints Irene and Eleni, of whom she had dreamt the night before.

The unknown saint who had appeared with Saints Raphael and Nicholas identified the tall woman as Maria, the mayor’s wife, and the two girls as Renoula and Eleni. He asked Mrs Rallis, “Why, when you dreamed about her last evening, did you say that you would not say anything about it to anyone? Eleni is also a martyr, and she wishes to be remembered. She was not the mayor’s servant, but his orphaned niece who lived with them. Her proper name, which she signed on papers, was Eleni. However, they also called her Susanna. She also had that name.”

Mrs Rallis slowly approached Saint Irene. She embraced her and began to weep, saying, “O Renoula, my tortured little girl, how could these heartless evil-doers burn you?” Then Saint Irene also started to cry.

When Mrs Rallis woke up, her eyes were filled with tears, and she thought that she would faint. So powerful was the dream that she later said, “Ah, that tortured child! How I ached for her! Every time I go to Karyes I will sit by her little tomb and I will mourn as if she were my own child. Just think, they tortured the child in front of her father, in front of her mother who bore her. It seems to me that there does not exist a more terrible martyrdom for parents.”

The Newly-Appeared Martyrs of Lesbos are also commemorated on April 9. Detailed accounts of these saints may be found in A GREAT SIGN (in Greek) by Photios Kontoglou (Astir, 1964).

Newly-Appeared Martyrs of Lesbos, Saints Raphael, Nicholas and Irene were martyred by the Turks on Bright Tuesday (April 9, 1463) ten years after the Fall of Constantinople. For nearly 500 years, they were forgotten by the people of Lesbos, but “the righteous Judge... opened the things that were hid” (2 Macc. 12:41).

For centuries the people of Lesbos would go on Bright Tuesday to the ruins of a monastery near Thermi, a village northwest of the capital, Mytilene. As time passed, however, no one could remember the reason for the annual pilgrimage. There was a vague recollection that once there had been a monastery on that spot, and that the monks had been killed by the Turks.

In 1959, a pious man named Angelos Rallis decided to build a chapel near the ruins of the monastery. On July 3 of that year, workmen discovered the relics of Saint Raphael while clearing the ground. Soon, the saints began appearing to various inhabitants of Lesbos and revealed the details of their lives and martyrdom. These accounts form the basis of Photios Kontoglou’s 1962 book A GREAT SIGN (in Greek).

Saint Raphael was born on the island of Ithaka around 1410, and was raised by pious parents. His baptismal name was George, but he was named Raphael when he became a monk. He was ordained to the holy priesthood, and later attained the offices of Archimandrite and Chancellor.

In 1453, Saint Raphael was living in Macedonia with his fellow monastic, the deacon Nicholas, a native of Thessalonica. In 1454, the Turks invaded Thrace, so the two monks fled to the island of Lesbos. They settled in the Monastery of the Nativity of the Theotokos near Thermi, where Saint Raphael became the igumen.

In the spring of 1463, the Turks raided the monastery and captured the monks. They were tortured from Holy Thursday until Bright Tuesday. Saint Raphael was tied to a tree, and the ferocious Turks sawed through his jaw, killing him. Saint Nicholas was also tortured, and he died while witnessing his Elder’s martyrdom. He appeared to people and indicated the spot where his relics were uncovered on June 13, 1960.

Saint Irene was the twelve-year-old daughter of the village mayor, Basil. She and her family had come to the monastery to warn the monks of the invasion. The cruel Hagarenes cut off one of her arms and threw it down in front of her parents. Then the pure virgin was placed in a large earthen cask and a fire was lit under it, suffocating her within. These torments took place before the eyes of her parents, who were also put to death. Her grave and the earthen cask were found on May 12, 1961 after Saints Raphael, Nicholas and Irene had appeared to people and told them where to look.

Others who also received the crown of martyrdom on that day were Saint Irene’s parents Basil and Maria; Theodore, the village teacher; and Eleni, the fifteen-year-old cousin of Saint Irene.

The saints appeared separately and together, telling people that they wished to be remembered. They asked that their icon be painted, that a church service be composed for them, and they indicated the place where their holy relics could be found. Based on the descriptions of those who had seen the saints, the master iconographer Photios Kontoglou painted their icon. The ever-memorable Father Gerasimos of Little Saint Anne Skete on Mt Athos composed their church service.

Many miracles have taken place on Lesbos, and throughout the world. The saints hasten to help those who invoke them, healing the sick, consoling the sorrowful, granting relief from pain, and bringing many unbelievers and impious individuals back to the Church.

Saint Raphael is tall, middle-aged, and has a beard of moderate length. His hair is black with some grey in it. His face is majestic, expressive, and filled with heavenly grace. Saint Nicholas is short and thin, with a small blond beard. He stands before Saint Raphael with great respect. Saint Irene usually appears with a long yellow dress reaching to her feet. Her blonde hair is divided into two braids which rest on either side of her chest.

Saints Raphael, Nicholas, and Irene (and those with them) are also commemorated on Bright Tuesday. Dr. Constantine Cavarnos has given a detailed account of their life, miracles, and spiritual counsels in Volume 10 of his inspirational series Modern Orthodox Saints (Belmont, MA, 1990).