Lives of all saints commemorated on April 16

Great and Holy Friday

On Great and Holy Friday, Christ died on the Cross. He gave up His spirit with the words: “It is finished” (John 19:30). These words are better understood when rendered: “It is consummated.” He had accomplished the work for which His heavenly Father had sent Him into the world. He became a man in the fullest sense of the word. He accepted the baptism of repentance from John in the Jordan River. He assumed the whole human condition, experiencing all its alienation, agony, and suffering, concluding with the lowly death on the Cross. He perfectly fulfilled the prophecy of Isaiah:

“Therefore I will divide him a portion with the great, and he shall divide the spoil with the strong; because he has poured out his soul to death, and was numbered with the transgressors; yet he bore the sins of many, and made intercession for the transgressors.”

(Isaiah 53:12)

The Man of Sorrows

On the Cross Jesus thus became “the man of sorrows; acquainted with grief” whom the prophet Isaiah had foretold. He was “despised and forsaken by men” and “smitten by God, and afflicted” (Isaiah 53:3-4). He became the one with “no form or comeliness that we should look at him, and no beauty that we should desire him” (Isaiah 53:2). His appearance was “marred beyond human semblance, and his form beyond that of the sons of men” (Isaiah 52:14). All these Messianic prophecies were fulfilled in Jesus as he hung from the Cross.

As the end approached, He cried: “My God, my God, why hast Thou forsaken me?” (Matthew 27:46). This cry indicated His complete identification with the human condition. He had totally embraced the despised, forsaken and smitten condition of suffering and death—alienation from God. He was truly the man of sorrows.

Yet, it is important to note that Jesus’ cry of anguish from the Cross was not a sign of His loss of faith in His Father. The words which He exclaimed are the first verse of Psalm 22, a messianic Psalm. The first part of the Psalm foretells the anguish, suffering and death of the Messiah. The second part is a song of praise to God. It predicts the final victory of the Messiah.

The Formal Charges

The death of Christ had been sought by the religious leaders in Jerusalem from the earliest days of His public ministry. The formal charges made against Him usually fell into the following two categories:

1) violation of the Law of the Old Testament, e.g., breaking the Sabbath rest;
2) blasphemy: making Himself equal with God.

Matters were hastened (consummated) by the moment of truth which followed His entrance into Jerusalem on Palm Sunday. He had the people behind Him. He spoke plainly. He said that the Sabbath was made for man, and not man for the Sabbath. He chastised the scribes and Pharisees for reducing religion to a purely external affair;

“You are like whitewashed tombs, which outwardly appear beautiful, but within are full of dead men’s bones and all uncleanness. So you also outwardly appear righteous to men, but within you are full of hypocrisy and iniquity” (Matthew 23:27-28).

It was the second formal charge; however, that became the basis for His conviction.

The Religious Trial

Christ’s conviction and death sentence required two trials: religious and political. The religious trial was first and took place during the night immediately after His arrest. After considerable difficulty in finding witnesses for the prosecution who actually agreed in their testimony, Caiaphas, the high priest, asked Jesus the essential question: “Are you Christ, the Son of the Blessed?” Jesus, who had remained silent to this point, now responded directly:

“I am; and you will see the Son of man sitting at the right hand of power, and coming with the clouds of heaven” (Mark 14:61-62).

Jesus’ reply recalled the many other statements He had made beginning with the words, “I am.” “I am the bread of life . . . I am the light of the world. . . I am the way, the truth, and the life. . . before Abraham was, I am.” (John 6 through 15). The use of these words themselves was considered blasphemous by the religious leaders. The words were the Name of God. By using them as His own Name, Jesus positively identified Himself with God. From the burning bush the voice of God had disclosed these words to Moses as the Divine Name:

“Say this to the people of Israel, ‘I AM has sent me to you’” (Exodus 3:13-14).

Now Jesus, as He had done on many other occasions, used them as His own Name. The high priest immediately tore his mantle and “they all condemned Him as deserving death” (Mark 14:64). In their view He had violated the Law of the Old Testament:

“He who blasphemes the name of the Lord shall be put to death” (Leviticus 24:16).

The Political Trial

The Jewish religious leaders lacked the actual authority to carry out the above law: to put a man to death. Such authority belonged to the Roman civil administration. Jesus had carefully kept His activity free of political implications. He refused the temptation of Satan to rule the kingdoms of the world by the sword (Luke 4: 1-12). He often charged His disciples and others to tell no one that He was , the Christ, because of the political overtones that this title carried for many (Matthew 16: 13-20). He rebuked Peter, calling him Satan, when the disciple hinted at His swerving from the true nature of His mission (Matthew 16:23). To Pilate, the spineless and indifferent Roman Governor, He said plainly: “My kingdom is not of this world” (John 18:36). Jesus was not a political revolutionary who came to free the people from Roman control and establish a new kingdom based on worldly power.

Nevertheless, the religious leaders, acting in agreement with the masses, devised political charges against Him in order to get their way. They presented Christ to the Romans as a political , leader, the “King of the Jews” in a worldly sense, a threat to Roman rule and a challenge to Caesar. Pilate became fearful of his own position as he heard the charges and saw the seething mobs. Therefore, despite his avowed testimony to Jesus’ innocence, he passed formal sentence, “washed his hands” of the matter, and turned Jesus over to be crucified (John 19:16).

Crucifixion—The Triumph of Evil

Before succumbing to this cruel Roman method of executing political criminals, Jesus suffered still other injustices. He was stripped, mocked and beaten. He wore a “kingly” crown of thorns on His head. He carried His own cross. He was finally nailed to the cross between two thieves at a place called Golgotha (the place of the skull) outside Jerusalem. An inscription was placed above His head on the Cross to indicate the nature of His crime: “Jesus of Nazareth, the King of the Jews.” He yielded up His spirit at about the ninth hour (3 p.m.), after hanging on the Cross for about six hours.

On Holy Friday evil triumphed. “It was night” (John 13:30) when Judas departed from the Last Supper to complete his act of betrayal, and “there was darkness over all the land” (Matthew 27:45) when Jesus was hanging on the Cross. The evil forces of this world had been massed against Christ. Unjust trials convicted Him. A criminal was released to the people instead of Him. Nails and a spear pierced His body. Bitter vinegar was given to Him to quench His thirst. Only one disciple remained faithful to Him. Finally, the tomb of another man became His place of repose after death.

The innocent Jesus was put to death on the basis of both religious and political charges. Both Jews and Gentile Romans participated in His death sentence.

“The rulers of the people have assembled against the Lord and His Christ.” (Psalm 2—the Prokeimenon of the Holy Thursday Vesperal Liturgy)

We, also, in many ways continue to participate in the death sentence given to Christ. The formal charges outlined above do not exhaust the reasons for the crucifixion. Behind the formal charges lay a host of injustices brought, on by hidden and personal motivations. Jesus openly spoke the truth about God and man. He thereby exposed the false character of the righteousness and smug security, both religious and material, claimed by many especially those in high places. The constantly occurring expositions of such smugness in our own day teach us the truly illusory nature of much so-called righteousness and security. In the deepest sense, the death of Christ was brought about by hardened, personal sin—the refusal of people to change themselves in the light of reality, which is Christ.

“He came to His very own, and His own received Him not” (John 1:11).

Especially we, the Christian people, are Christ’s very own. He continues to come to us in His Church. Each time we attempt to make the Church into something other than the eternal coming of Christ into our midst, each time we refuse to repent for our wrongs; we, too, reject Christ and participate in His death sentence.

The Vespers

The Vespers, celebrated in the Church on Holy Friday afternoon, brings to mind all of the final events of the life of Christ as mentioned above: the trial, the sentence, the scourging and mocking, the crucifixion, the death, the taking down of His body from the Cross, and the burial. As the hymnography indicates, these events remain ever-present in the Church; they constitute the today of its life.

The service is replete with readings from Scripture: three from the Old Testament and two from the New. The first of the Old Testament readings, from Exodus, speaks of Moses beholding the “back” of the glory of God—for no man can see the glory of God face to face and live. The Church uses this reading to emphasize that now, in the crucifixion and death of Christ, God is making the ultimate condescension to reveal His glory to man—from within man himself.

The death of Christ was of a wholly voluntary character. He dies not because of some necessity in His being: as the Son of God He has life in Himself! Yet, He voluntarily gave up His life as the greatest sign of God’s love for man, as the ultimate revelation of the Divine glory:

“Greater love has no man than this, that a man lay down his life for his friends” (John 15:13).

The vesperal hymnography further develops the fact that God reveals His glory to us in this condescending love. The Crucifixion is the heart of such love, for the One being crucified is none other than He through whom all things have been created:

Today the Master of creation stands before Pilate. Today the Creator of all is condemned to die on the cross. . . The Redeemer of the world is slapped on the face. The Maker of all is mocked by His own servants. Glory to Thy condescension, 0 Lover of man! (Verse on “Lord I call”, and the Apostikha)

The verses also underscore the cosmic dimensions of the event taking place on the Cross. Just as God who revealed Himself to Moses is not a god, but the God of “heaven and earth, and of all things visible and invisible,” so the death of Jesus is not the culmination of a petty struggle in the domestic life of Palestine. Rather, it is the very center of the epic struggle between God and the Evil One, involving the whole universe:

All creation was changed by fear
when it saw Thee hanging on the cross, 0 Christ! The sun was darkened,
and the foundations of the earth were shaken.
All things suffered with the Creator of all.
0 Lord, who didst willingly endure this for us, glory to Thee!
(Verse I on “Lord, I Call”)

The second Reading from the Old Testament (Job 42:12 to the end) manifests Job as a prophetic figure of the Messiah Himself. The plight of Job is followed in the services throughout Holy Week, and is concluded with this reading. Job is the righteous servant who remains faithful to God despite trial, humiliation, and the loss of all his possessions and family. Because of his faithfulness, however, “The Lord blessed the latter days of Job more than his beginning” (Job 42: 12)

The third of the Old Testamental readings is by far the most substantial (Isaiah 52:13 to 54:1). It is a prototype of the Gospel itself. Read at this moment, it positively identifies Jesus of Nazareth as the Suffering Servant, the Man of Sorrows; the Messiah of Israel.

The Epistle Reading (I Corinthians 1:18 to 2:2) speaks of Jesus crucified, a folly for the world, as the real center of our Faith. The Gospel reading, a lengthy composite taken from Matthew, Luke and John, simply narrates all the events associated with the crucifixion and burial of Christ.

All the readings obviously focus on the theme of hope. As the Lord of Glory, the fulfillment of the righteous Job, and the Messiah Himself, humiliation and death will have no final hold over Jesus. Even the parental mourning of Mary is transformed in the light of this hope:

When she who bore Thee without seed
saw Thee suspended upon the Tree,
0 Christ, the Creator and God of all,
she cried bitterly: “Where is the beauty of Thy countenance, my Son?
I cannot bear to see Thee unjustly crucified. Hasten and arise,
that I too may see Thy resurrection from the dead on the third day!
(Verse IV on “Lord I call.”)

Near the end of the Vespers, the priest vests fully in dark vestments. At the appointed time he lifts the Holy Shroud, a large icon depicting Christ lying in the tomb, from the altar table. Together with selected laymen and servers, a procession is formed and the Holy Shroud is carried to a specially prepared tomb in the center of the church. As the procession moves, the troparion is sung:

The Noble Joseph, when he had taken down Thy most pure body from the tree, wrapped it in fine linen and anointed it with spices, and placed it in a new tomb.

At this ultimate solemn moment of Vespers, the theme of hope once again occurs—this time more strongly and clearly than ever. As knees are bent and heads are bowed, and often tears are shed, another troparion is sung which penetrates through this triumph of evil, to the new day which is contained in its very midst:

The Angel came to the myrrh-bearing women at the tomb and said: “Myrrh is fitting for the dead, but Christ has shown Himself a stranger to corruption.

A new Age is dawning. Our salvation is taking place. The One who died is the same One who will rise on the third day, to “trample down death by death,” and to free us from corruption.

Therefore, at the conclusion of Holy Friday Vespers, at the end of this long day of darkness, when all things are apparently ended, our eternal hope for salvation springs forth. For Christ is indeed a stranger to corruption:

“As by a man came death, by a man has come also the resurrection of the dead. For as in Adam all die, so also in Christ shall all be made alive. But each in his own order: Christ the first fruits, then at his coming those who belong to Christ.” (I Cor. 15:21-32)

“If any man would come after me, let him deny himself and take up his cross and follow me. For whoever would save his life will lose it, and whoever loses his life for my sake and the gospel’s will save it.” (Mark 8:35)

- Father Paul Lazor

The Holy Martyrs Agape, Irene, and Chionia were sisters who lived at the end of the third century to the beginning of the fourth century, near the Italian city of Aquilea. They were left orphaned at an early age.

The young women led a pious Christian life and they turned down many offers of marriage. Their spiritual guide was the priest Xeno. It was revealed to him in a vision that he would die very soon, and that the holy virgins would suffer martyrdom. Also at Aquilea and having a similar vision was the Great Martyr Anastasia (December 22), who is called “Deliverer from Potions,” because she fearlessly visited Christians in prison, encouraging them and healing them from potions, poisons, and other harmful things. The Great Martyr Anastasia visited the sisters and urged them to endure all things for Christ. Soon what was predicted in the vision came to pass. The priest Zeno died, and the three virgins were arrested and brought to trial before the emperor Diocletian (284-305).

Saint Chionia (“snow” in Greek) preserved the purity of her baptism according to the words of the Prophet-King David, “You will wash me, and I shall be whiter than snow” (Ps. 50/51:7).

Saint Irene (“peace” in Greek) preserved the peace of Christ within herself and manifested it to others, according to the Savior’s word, “My peace I give you” (John 14:27).

Saint Agape (“love” in Greek) loved God with all her heart, and her neighbor as herself (Mt.22:37-39).

Seeing the youthful beauty of the sisters, the emperor urged them to deny Christ and he promised to find them illustrious bridegrooms from his entourage. The holy sisters replied that their only Bridegroom was Christ, for Whom they were ready to suffer. The emperor demanded they renounce Christ, but neither the elder sisters, nor the youngest, would consent. They called the pagan gods mere idols made by human hands, and they preached faith in the true God.

By order of Diocletian, who was leaving for Macedonia, the holy sisters were also to be brought there. And they brought them to the court of the governor Dulcititus.

When he saw the beauty of the holy martyrs, he was aroused with impure passion. He put the sisters under guard, and he told them that they would receive their freedom if they agreed to fulfill his desires. But the holy martyrs replied that they were prepared to die for their Heavenly Bridegroom, Christ.

Then Dulcititus decided to have his way by force. When the holy sisters arose at night to glorify the Lord in prayer, Dulcititus came to the door and tried to enter, but an invisible force prevented him. He staggered about, unable to find his way out. Then he fell down in the kitchen among the cooking utensils, the pots and pans, and he was covered all over with soot. The servants and the soldiers recognized him only with difficulty. When he saw himself in a mirror, he then realized that the holy martyrs had made a fool of him, and he decided to take his revenge on them.

At his court, Dulcititus gave orders to strip the holy martyrs. But the soldiers were not able to do this, no matter how much they tried. Their clothing seemed to be stuck to the bodies of the holy virgins. During the trial Dulcititus suddenly fell asleep, and no one could rouse him. Just as they carried him into his house, he immediately awoke.

When they reported to the emperor Diocletian everything that had happened, he became angry with Dulcititus and he gave the holy virgins over to Sisinius for trial. He began with the youngest sister, Irene. Seeing that she remained unyielding, he sent her to prison and then attempted to sway Saints Chionia and Agape. He also failed to make them renounce Christ, and Sisinius ordered that Saints Agape and Chionia be burned. On hearing the sentence, the sisters gave thanks to the Lord for their crowns of martyrdom. In the fire, Agape and Chionia surrendered their pure souls to the Lord.

When the fire went out, everyone saw that the bodies of the holy martyrs and their clothing had not been scorched by the fire, and their faces were beautiful and peaceful, as if they were asleep. On the day following, Sisinius gave orders to bring Saint Irene to court. He threatened her with the fate of her older sisters and he urged her to renounce Christ. Then he threatened to hand her over for defilement in a brothel. But the holy martyr answered, “Even if my body is defiled by force, my soul will never be defiled by renouncing Christ.”

When the soldiers of Sisinius led Saint Irene to the brothel, two luminous soldiers overtook them and said, “Your master Sisinius commands you to take this virgin to a high mountain and leave her there, and then return to him and report to him that you have fulfilled his command.” And the soldiers did so.

When they reported back to Sisinius, he flew into a rage, since he had given no such orders. The luminous soldiers were angels of God, saving the holy martyr from defilement. Sisinius went to the mountain with a detachment of soldiers and saw Saint Irene on the summit. For a long while they searched for the way to the top, but they could not find it. Then one of the soldiers wounded Saint Irene with an arrow. The martyr cried out to Sisinius, “I mock your impotent malice, and I go my Lord Jesus Christ pure and undefiled.” Having given thanks to the Lord, she lay down upon the ground and surrendered her soul to God on the very day of Holy Pascha (+ 304).

The Great Martyr Anastasia heard about the end of the holy sisters, and she buried their bodies with reverence.

The Holy Martyr Leonidas and the Holy Martyrs Charissa, Nike (Nika, Victoria), Galina, Kalista (Kalida), Nunekhia, Basilissa, Irene, and Theodora suffered at Corinth in the year 258. They threw them into the sea, but they did not drown. Instead, they walked upon the water as if on dry land, singing spiritual hymns. The torturers overtook them in a ship, tied stones around their necks and drowned them.

No information available at this time.

No information available at this time.

The Il'insk (Prophet Elias)-Chernigov Icon of the Mother of God was painted in 1658 by the iconographer Gregory Dubensky (Gennadios in monasticism). The history of the Icon's creation and its miracles are described by a witness of these events, Saint Demetrios, Metropolitan of Rostov, in the works "A Miracle of the Most Holy and Most Blessed Virgin Mary," and "The Bedewed Fleece" (Руно орошенное). Some miracles are also mentioned by Saint John (Maximovich), Metropolitan of Tobolsk (June 10) in a poem "To the Virgin Theotokos." In 1662 there was a miraculous flow of tears from the Il'insk-Chernigov Icon, which continued from April 16-24, in connection with which a Feast Day was appointed for the Icon. In the same year, Chernigov was attacked by the Tatars, who ravaged the city and its environs, including the Holy Trinity-Il'insk Monastery, but, as Saint Demetrios testifies, the Icon and its precious oklad remained unharmed. The brethren who had taken refuge in the underground caves were also spared.

From the XVII century, cases of miracles from the Il'insk-Chernigov Icon were recorded with particular care. In "The Bedewed Fleece," Saint Demetrios described in detail 24 miraculous healings (one every hour) from all sorts of ailments of the residents of Chernigov and its environs. The list of miracles was augmented when the book was reprinted. Thus, by 1696, there were 56 cases of healing (5 from blindness, 3 from a disease of the legs, 3 from "gostza" (rheumatism). 1 from paralysis, 15 from demonic possession, 14 from clouding of the mind, 15 from various chronic diseases, and 1 instance of a boy raised from the dead. In the XIX century, several healings were observed: a Romny bourgeois from a fever (1865), a Chernigov girl from a mental disorder (on the Icon's Feast Day in 1874), and an infant from a high fever (1887 or 1888), the son of a Poltava landowner from diphtheria (until 1898), and a staff captain from Sveaborg from a chronic illness (until 1898), and several others.

Before HolyTrinity Cathedral was built in the Monastery (1679-1695), the Icon was kept in the church of the Prophet Elias near the caves, to the right near the pillar closest to the iconostasis. In 1786-1794, in connection with the planned opening of the University of Holy Trinity-Il'insk Monastery at Chernigov, but this did not occur, so the Icon was placed in the Dormition Cathedral of the Yelets Chernigov Convent, which was dedicated to the Dormition of the Most Holy Theotokos. In the XIX century, the Icon was in the cathedral, but only during the summertime. In winter, the Icon was transferred to the heated church of the Nativity of Christ, and placed in a special case behind the right kliros. At the beginning of the XX century, in winter, the Il'insk-Chernigov Icon of the Mother of God was kept in the Sretensky church in the Bishop's residence, and a substitute icon was left in the cathedral. The wonderworking Icon disappeared after the closure of Holy Trinity-Il'insk Monastery in 1924.

At the end of the XVII century, by the initiative of Archbishop Lazarus (Baranovich) and at the expense of Hetman I. S. Mazepa (whose initials and coat of arms were on the case), a silver oklad and a kiot were made (these have not been preserved). A crown with precious stones was donated by the Chernigov Colonel V. Dunin-Borkovsky, who received healing from the Icon in 1687 The dimensions of the Icon (1 arshin, 5 vershkas by 14.5 vershts – 93.37×64.45 cm) were increased when placed in the kiot because it was overlaid with a frame covered with silver plates with additional images engraved on them (2 arshins 2 vershkas by 1 arshin 6 vershks (151.24×97.8 cm) together with the frame). Attached to the case were plaques with inscriptions: "This holy image of the Mother of God, called Il'insk-Chernigov, was painted in 1658" and "The miraculous flow of tears from the Icon apparently occurred in 1662, from the 16th to the 24th day of the month of April." "In 1662 the Tatars invaded the city of Chernigov, but the hands of the impious Saracens could not touch this wonderworking Icon." In 1897 the oklad was replaced by a new one, made in Moscow by M. N. Ryndin with donations from the residents of Chernigov. There was an inscription on it: "This silver riza was made to replace the old one, which had fallen into disrepair, with the blessing of Bishop Anthony of Chernigov and Nizhyn, with the zeal of the benevolent donors of Chernigov. Hierodeacon Varlaam was sent to Moscow to order this riza from the master M. N. Ryndin, 1897, the weight of this riza is 33 ф. 29 з."

Revered copies of the Il'insk-Chernigov Icon, made at the end of the XVII-XVIII centuries, were in all the churches of Chernigov. At present, two copies are venerated in the Yelets Dormition Monastery in Chernigov.

The wonderworking copy of the Chernigov Icon of the Mother of God, which was kept in the Gethsemane Skete of Holy Trinity-Saint Sergius Lavra, became famous in 1869.

The Icon belongs to the traditional Hodegetria type. The Child blesses with His right hand, and a scroll in his left. He sits on the left hand of His Mother. The heads of the Mother of God and the Child are slightly inclined toward each other, the Child's legs are tightly together. The figure of the Mother of God has an almost generational edge, characteristic of the southern and western Russian iconography of the Mother of God of the XVII century. The Child is dressed in a white shirt with a collar. A distinctive feature of Il'insk-Chernigov iconography. The Icon is a gesture of the Infant's hand stretched forward. Identical or fairly similar compositional solutions are present in a number of other wonderworking Icons of the Mother of God associated with Belarus and Ukraine (Borkolabovskaya, Trigorskaya, Poddubetska, Gerbovetskaya Icons of the Mother of God).

In copies of the wonderworking Icon, crowns were often depicted on the heads of the Mother of God and her Child, which were absent on the Icon itself, but were present on its oklad. For the first time, crowns were depicted in an engraving of 1683 in Saint Demetrios of Rostov's book "The Bedewed Fleece." Obviously, this engraving became a model for Ukrainian and Russian icons, and on such copies the identifying inscription at the bottom was usually repeated (icon of 1778, Chernigov State Icon, Historical and Architectural Museum-Reserve).

In 1686, Saint Pitirim (July 28) came to Tambov and, along with other relics, he brought with him a copy of the Il'insk-Chernigov Icon of the Mother of God, considered to be the patroness of the southwestern region. For this reason, the Icon was placed at the southwestern gate of the city. Over time, the Icon began to be called Tambov, especially since there were some differences between it and the Il'insk-Chernigov Icon of the Mother of God.

On the borders of the Icon, on the right and on the left, were depicted: Saint Alexei, the Man of God, and Saint Eudoxia. It is assumed that these were the heavenly patrons of Bishop Pitirim's parents, and it is quite possible that he himself painted the images of those Saints.

Later, on the site of the southwestern city gate, a small wooden church was built and dedicated to the Holy Apostles Peter and Paul. It was in this church that the Icon was kept. And when the merchant Ivan Utkin built the stone church of the Holy Protomartyr Stephen at his own expense in 1771-1778, the Tambov Icon was transferred there and placed in the altar above the altar. People began to call the church by the name of the builder Utkinskaya, and the Icon was later completely forgotten.

But the Queen of Heaven reminded people of herself. At the beginning of the XIX century, a priest in Kaluga, was suffering from a malady of his legs and could not walk. He saw this Icon of the Mother of God in a dream. She told him: "Find this icon. Pray before it and you shall be healed." After the dream, the priest received some relief from his illness, so that he was able to walk, and immediately he began to search for the Icon he had seen in the dream. After visiting various villages and towns, he finally reached Tambov, where, after inspecting all the churches, he found the Icon he had seen in his dream in the altar of the Utkin church. After praying before it, he received complete healing. This incident became widely known in the city, and afterward there were several more miraculous healings of the townspeople.

The Tambov Icon became famous again, and when in 1835 the old Utkin church was severely damaged. At the request of the townspeople, the right side altar was consecrated in honor of the Tambov Icon of the Mother of God. With the passage of time, the grateful Tambov residents adorned the Icon with a luxurious silver-gilt riza with many precious stones. There were so many cures from the Icon that there was no time to record all of them. In 1888, by decree of the Holy Synod, a Cross Procession took place in all the churches of the city on April 16 in honor of the Tambov Icon, and in 1900 the church was once again called the church of the Theotokos.

After the 1917 revolution, Tambov's churches were devastated, and the wonderworking Icon also suffered. The riza was removed and the stones were pried out, and then it disappeared without a trace. There are revered copies of the wonderworking Icon in the city.

The Tambov Icon is commemorated on April 16, and again on July 28 (the repose of Bishop Pitirim).