Great and Holy Saturday is the day on which Christ reposed in the tomb. The Church calls this day the Blessed Sabbath.
“The great Moses mystically foreshadowed this day when he said: God blessed the seventh day. This is the blessed Sabbath This is the day of rest, on which the only-begotten Son of God rested from all His works....”
(Vesperal Liturgy of Holy Saturday)
By using this title the Church links Holy Saturday with the creative act of God. In the initial account of creation as found in the Book of Genesis, God made man in His own image and likeness. To be truly himself, man was to live in constant communion with the source and dynamic power of that image: God. Man fell from God. Now Christ, the Son of God through whom all things were created, has come to restore man to communion with God. He thereby completes creation. All things are again as they should be. His mission is consummated. On the Blessed Sabbath He rests from all His works.
THE TRANSITION
Holy Saturday is a neglected day in parish life. Few people attend the Services. Popular piety usually reduces Holy Week to one day—Holy Friday. This day is quickly replaced by another—Easter Sunday. Christ is dead and then suddenly alive. Great sorrow is suddenly replaced by great joy. In such a scheme Holy Saturday is lost.
In the understanding of the Church, sorrow is not replaced by joy; it is transformed into joy. This distinction indicates that it is precisely within death that Christ continues to effect triumph.
TRAMPLING DOWN DEATH BY DEATH
We sing that Christ is “...trampling down death by death” in the troparion of Easter. This phrase gives great meaning to Holy Saturday. Christ’s repose in the tomb is an “active” repose. He comes in search of His fallen friend, Adam, who represents all men. Not finding him on earth, he descends to the realm of death, known as Hades in the Old Testament. There He finds him and brings him life once again. This is the victory: the dead are given life. The tomb is no longer a forsaken, lifeless place. By His death Christ tramples down death by death.
THE ICON OF THE DESCENT INTO HADES
The traditional icon used by the Church on the feast of Easter is an icon of Holy Saturday: the descent of Christ into Hades. It is a painting of theology, for no one has ever seen this event. It depicts Christ, radiant in hues of white and blue, standing on the shattered gates of Hades. With arms outstretched He is joining hands with Adam and all the other Old Testament righteous whom He has found there. He leads them from the kingdom of death. By His death He tramples death.
“Today Hades cries out groaning: I should not have accepted the Man born of Mary. He came and destroyed my power. He shattered the gates of brass. As God, He raised the souls I had held captive. Glory to Thy cross and resurrection, O Lord!” (Vesperal Liturgy of Holy Saturday)
THE VESPERAL LITURGY
The Vespers of Holy Saturday inaugurates the Paschal celebration, for the liturgical cycle of the day always begins in the evening. In the past, this service constituted the first part of the great Paschal vigil during which the catechumens were baptized in the “baptisterion” and led in procession back into the church for participation in their first Divine Liturgy, the Paschal Eucharist. Later, with the number of catechumens increasing, the first baptismal part of the Paschal celebration was disconnected from the liturgy of the Paschal night and formed our pre-paschal service: Vespers and the Liturgy of Saint Basil the Great which follows it. It still keeps the marks of the early celebration of Pascha as baptismal feast and that of Baptism as Paschal sacrament (death and resurrection with Jesus Christ—Romans 6).
On “Lord I Call” the Saturday Resurrectional stichiras of Tone 1 are sung, followed by the the special stichiras of Holy Saturday, which stress the death of Christ as descent into Hades, the region of death, for its destruction. But the pivotal point of the service occurs after the Entrance, when fifteen lessons from the Old Testament are read, all centered on the promise of the Resurrection, all glorifying the ultimate Victory of God, prophesied in the victorious Song of Moses after the crossing of the Red Sea (“Let us sing to the Lord, for gloriously has He been glorified”), the salvation of Jonah, and that of the three youths in the furnace.
Then the epistle is read, the same epistle that is still read at Baptism (Romans 6:3-11), in which Christ’s death and resurrection become the source of the death in us of the “old man,” the resurrection of the new, whose life is in the Risen Lord. During the special verses sung after the epistle, “Arise, O God, and judge the earth,” the dark lenten vestments are put aside and the clergy vest in the bright white ones, so that when the celebrant appears with the Gospel the light of Resurrection is truly made visible in us, the “Rejoice” with which the Risen Christ greeted the women at the grave is experienced as being directed at us.
The Liturgy of Saint Basil continues in this white and joyful light, revealing the Tomb of Christ as the Life-giving Tomb, introducing us into the ultimate reality of Christ’s Resurrection, communicating His life to us, the children of fallen Adam.
One can and must say that of all services of the Church that are inspiring, meaningful, revealing, this one: the Vespers and Liturgy of Saint Basil the Great and Holy Saturday is truly the liturgical climax of the Church. If one opens one’s heart and mind to it and accepts its meaning and its light, the very truth of Orthodoxy is given by it, the taste and the joy of that new life which shines forth from the grave.
Rev. Alexander Schmemann
Saint Martin the Confessor, Pope of Rome
Saint Martin the Confessor, Pope of Rome, was a native of the Tuscany region of Italy. He received a fine education and entered into the clergy of the Roman Church. After the death of Pope Theodore I (642-649), Martin was chosen to succeed him.
At this time the peace of the Church was disturbed by the Monothelite heresy (the false doctrine that in Christ there is only one will, whereas in fact He has a divine, and a human will). The endless disputes of the Monothelites with the Orthodox took place in all levels of the population. Even the emperor Constans (641-668) and Patriarch Paul of Constantinople (641-654) were adherents of the Monothelite heresy. The emperor Constans II published the heretical “Pattern of Faith” (Typos), obligatory for all the population. In it all further disputes were forbidden.
The heretical “Pattern of Faith” was received at Rome in the year 649. Saint Martin, a firm supporter of Orthodoxy, convened the Lateran Council at Rome to condemn the Monothelite heresy. At the same time Saint Martin sent a letter to Patriarch Paul, persuading him to return to the Orthodox confession of faith. The enraged emperor ordered the military commander Olympius to bring Saint Martin to trial. But Olympius feared the clergy and the people of Rome who had descended upon the Council, and he sent a soldier to murder the holy hierarch. When the assassin approached Saint Martin, he was blinded. The terrified Olympius fled to Sicily and was soon killed in battle.
In 654 the emperor sent another military commander, Theodore, to Rome. He accused Saint Martin of being in secret correspondence with the enemies of the Empire, the Saracens, and of blaspheming the Most Holy Theotokos, and of uncanonically assuming the papal throne.
Despite the proofs offered by the Roman clergy and laity of Saint Martin’s innocence, the military commander Theodore with a detachment of soldiers seized Saint Martin by night and took him to Naxos, one of the Cyclades islands in the Aegean Sea. Saint Martin spent an entire year on this almost unpopulated island, suffering deprivation and abuse from the guards. Then they sent the exhausted confessor to Constantinople for trial.
They carried the sick man on a stretcher, but the judges callously ordered him to stand up and answer their questions. The soldiers propped up the saint, who was weakened by illness. False witnesses came forward slandering the saint and accusing him of treasonous relations with the Saracens. The biased judges did not even bother to hear the saint’s defense. In sorrow he said, “The Lord knows what a great kindness you would show me if you would deliver me quickly over to death.”
After such a trial they brought the saint out in tattered clothes to a jeering crowd. They shouted, “Anathema to Pope Martin!” But those who knew the holy Pope was suffering unjustly, withdrew in tears. Finally the sentence was announced: Saint Martin was to be deposed from his rank and executed. They bound the half-naked saint with chains and dragged him to prison, where they locked him up with thieves. These were more merciful to the saint than the heretics.
In the midst of all this the emperor went to the dying Patriarch Paul and told him of the trial of Saint Martin. He turned away from the emperor and said, “Woe is me! This is another reason for my judgment.” He asked that Saint Martin’s torments be stopped. The emperor again sent a notary and other persons to the saint in prison to interrogate him. The saint answered, “Even if they cripple me, I will not have relations with the Church of Constantinople while it remains in its evil doctrines.” The torturers were astonished at the confessor’s boldness, and they commuted his death sentence to exile at Cherson in the Crimea.
Saint Martin departed to the Lord, exhausted by sickness, hunger and deprivations on September 16, 655. Two other bishops, who were banished to Cherson, also died after many hardships. The Saint was buried just outside the city of Cherson, in the Blachernae church of the Most Holy Theotokos. Great crowds of people visited his tomb because of the many miracles which took place there. Later, his relics were transferred to Rome, and placed in a church dedicated to Martin of Tours (November 11). The transfer of his relics is commemorated on November 12.
The Monothelite heresy was condemned at the Sixth Ecumenical Council in 680.
In Greek usage, the holy Confessor Martin is commemorated on April 13 and on September 20, while the Slavic churches commemorate him on April 14.
Martyrs Anthony, John, and Eustathius of Vilnius
The Holy Martyrs Anthony, John, and Eustathius [Kumetis, Nezilas (Nežilas), and Krulis] were brothers who suffered for Christ under the Lithuanian Great Prince Algirdas (1345-1377). The prince was married to the Orthodox princess Maria Yaroslavna (+ 1346). He was baptized and during his wife’s lifetime he allowed the preaching of Christianity. Two brothers, Nezilas and Kumetis (Nezhilo and Kumets), received holy Baptism from the priest Nestor, and they received the names Anthony and John. And at the request of Maria Yaroslavna an Orthodox church was built at Vilnius (Vilna).
After the death of his spouse, Prince Algirdas began to support the pagan priests of the fire-worshippers, who started a persecution against Christians. Saints John and Anthony endeavored not to flaunt their Christianity, but they did not observe pagan customs. They did not cut their hair as the pagans did, and on fast days they did not eat forbidden foods.
The prince soon became suspicious of the brothers, so he interrogated them and they confessed themselves Christians. Then he demanded that they eat meat (it was a fast day). The holy brothers refused, and the prince locked them up in prison. The brothers spent an entire year behind bars. John took fright at the impending tortures and declared that he would obey all the demands of the Great Prince. The delighted Algirdas released the brothers and brought them to himself.
But Anthony did not betray Christ. When he refused to eat meat on a fast day, the prince again locked him up in prison and subjected him to brutal tortures. The other brother remained free, but both Christians and pagans regarded him as a traitor and would not associate with him.
Repenting of his sin, John went to the priest Nestor and entreated him to ask his brother to forgive him. “When he openly confesses Christ, we will be reconciled,” Anthony replied. Once, while serving the prince at the bath, Saint John spoke privately with him about his reconciliation with the Church. Algirdas did not display any anger and said that he could believe in Christ, but must conduct himself like all the pagans. Then Saint John confessed himself a Christian in the presence of numerous courtiers. They beat him fiercely with rods and sent him to his brother in prison. The martyrs met with joy, and received the Holy Mysteries that same day.
Many people went to the prison to see the new confessor. The brothers converted many to Christ by their preaching. The prison was transformed into a Christian school. The frightened pagan priests demanded the execution of the brothers, but they did not fear death.
On the morning of April 14, 1347 the Martyr Anthony was hanged on a tree after receiving the Holy Mysteries. This oak, which the pagans considered sacred, became truly sacred for Orthodox Christians.
The pagan priests who hoped that Christian preaching would stop with the death of Saint Anthony, were disappointed. A multitude of the people gathered before the walls of the prison where Saint John was being held. On April 24, 1347 they strangled him and hanged his dead body upon the same oak. The venerable bodies of both martyrs were buried by Christians in the church of Saint Nicholas the Wonderworker.
A third sufferer for Christ was their relative Krulis (Kruglets). At Baptism the priest Nestor named him Eustathius. Krulis stood out because of his comeliness, valor and bravery, but even more because of his mind and virtue of soul. A favorite of Algirdas, he could count on a very promising future. However, he also refused to eat meat at the festal table. Saint Eustathius openly declared that he was a Christian and would not eat meat because of the Nativity Fast.
They began to beat him with iron rods, but the youth did not make a sound. The prince tried refining the torture. Algirdas gave orders to strip the martyr naked, take him out on the street and to pour icy water in his mouth. But this did not break his spirit. Then they broke his ankle bones, and ripped the hair and skin from his head, and cut off his ears and nose. Saint Eustathius endured the torments with such gladness and courage, that the very torturers themselves were astounded by the divine power which strengthened him. The martyr Eustathius was sentenced to death and hanged on the same oak where Saints John and Anthony received a martyr’s death (December 13, 1347).
For three days no one was permitted to take down the body of the martyr, and a column of cloud protected it from birds and beasts of prey. A church was later built on the hill where the holy martyrs suffered. The trinity of venerable passion bearers glorified the true God worshiped in the Holy Trinity, Father and Son and Holy Spirit. The church was dedicated to the Most Holy Trinity. The altar table was built on the stump of the sacred oak on which the martyrs died.
Soon their relics were found to be incorrupt. In 1364 Patriarch Philotheus of Constantinople (1354-1355, 1364-1376) sent a cross with the relics of the holy martyrs to Saint Sergius of Radonezh (September 25). The Church established the celebration of all three martyrs on April 14.
The holy martyrs were of immense significance for all the Western frontier. Vilnius’s monastery of the Holy Trinity, where the holy relics are kept, became a stronghold of Orthodoxy on this frontier. In 1915 during the invasion of the Germans, these relics were taken to Moscow.
The relics of the holy passion-bearers were returned to the Vilnius Holy Spirit monastery in 1946. The commemoration of their return (July 13) is solemnly observed at the monastery each year.
Martyr Ardalion the Actor
The Holy Martyr Ardalion suffered for Christ under the emperor Maximian Galerius (305-311). Saint Ardalion was a talented actor.
Once, he played the role of a Christian. In the play, the actor at first refused to offer sacrifice to idols, but then consented to renounce Christ. Suddenly the saint ordered everyone to be quiet and declared that he actually was a Christian.
Saint Ardalion continued to confess his faith in Christ. Then the governor ordered the martyr to be thrown onto a red-hot iron grill. So Saint Ardalion attained a martyr’s crown.
Martyr Azades the Eunuch and 1,000 Martyrs of Persia
Saint Azades (Azat) was a wealthy man who served in the household of King Shapur II of Persia, and enjoyed his confidence. He was arrested for professing Christianity, and then suffered martyrdom with 1000 other Christians. After this, the king repented and ordered an end to the persecution of Christians.
Vil'na Icon of the Mother of God
The Vil'na Icon of the Mother of God is one of those attributed to the Holy Evangelist Luke. For a long time it was a sacred heirloom of the Byzantine Emperors in Constantinople.
In 1472, this Holy Icon was taken to Moscow by Sophia Palaiologos, the wife of Great Prince John III of Moscow (1462–1505). In 1495, the Great Prince gave the Icon as a blessing to his daughter Elena when she married the Lithuanian King Alexander. Later, the Holy Icon was placed in the church of the Most Pure (Theotokos), where Princess Elena was buried.
Tsar Ivan the Terrible, hoping to bring the wonderworking Icon back to Moscow, offered King Sigismund fifty noble Lithuanian captives in exchange for it, but he refused, because all the clergy, both the Orthodox and the Uniates, did not want to lose this treasure.
The Icon remained in the Cathedral of the Mother of God until the XVIII century, Later, it was moved to the church of Saint John the Forerunner. Afterward, the Icon was transferred to Vil'na's Holy Trinity Monastery, which was then in the possession of the Uniates, and the Cathedral of the Mother of God was also given to them.
Only in 1839 were Holy Trinity Monastery and the Vil'na Icon returned to the Orthodox. Since that time, the Icon of the Mother of God has remained there with other local icons, and is venerated by all Orthodox Christians. It replaced the lost Ostro Bram (Dawn Gates) Icon (commemorated on December 26 and April 14).
During the First World War, many sacred objects were evacuated from the frontline zones of Lithuania and Belarus, including the Vil'na Icon. In 1915, the Icon was brought to the Donskoy Monastery in Moscow, along with the relics of the Vil'na Martyrs. Its later fate is unknown.
The Vil'na Hodēgḗtria Icon is painted on four boards which have been joined together. Some are made of cypress wood, and the others of birch. It was restored in 1864.
The Vil'na Icon is commemorated on April 14, the day it was brought to Moscow in 1472, and also on February 15, the day it was brought from Moscow to Vil'na (the former capital of Lithuania) in 1495.