Lives of all saints commemorated on April 3

Great and Holy Saturday is the day on which Christ reposed in the tomb. The Church calls this day the Blessed Sabbath.

“The great Moses mystically foreshadowed this day when he said:
God blessed the seventh day.
This is the blessed Sabbath
This is the day of rest,
on which the only-begotten Son of God rested from all His works....”

(Vesperal Liturgy of Holy Saturday)

By using this title the Church links Holy Saturday with the creative act of God. In the initial account of creation as found in the Book of Genesis, God made man in His own image and likeness. To be truly himself, man was to live in constant communion with the source and dynamic power of that image: God. Man fell from God. Now Christ, the Son of God through whom all things were created, has come to restore man to communion with God. He thereby completes creation. All things are again as they should be. His mission is consummated. On the Blessed Sabbath He rests from all His works.

THE TRANSITION

Holy Saturday is a neglected day in parish life. Few people attend the Services. Popular piety usually reduces Holy Week to one day—Holy Friday. This day is quickly replaced by another—Easter Sunday. Christ is dead and then suddenly alive. Great sorrow is suddenly replaced by great joy. In such a scheme Holy Saturday is lost.

In the understanding of the Church, sorrow is not replaced by joy; it is transformed into joy. This distinction indicates that it is precisely within death that Christ continues to effect triumph.

TRAMPLING DOWN DEATH BY DEATH

We sing that Christ is “...trampling down death by death” in the troparion of Easter. This phrase gives great meaning to Holy Saturday. Christ’s repose in the tomb is an “active” repose. He comes in search of His fallen friend, Adam, who represents all men. Not finding him on earth, he descends to the realm of death, known as Hades in the Old Testament. There He finds him and brings him life once again. This is the victory: the dead are given life. The tomb is no longer a forsaken, lifeless place. By His death Christ tramples down death by death.

THE ICON OF THE DESCENT INTO HADES

The traditional icon used by the Church on the feast of Easter is an icon of Holy Saturday: the descent of Christ into Hades. It is a painting of theology, for no one has ever seen this event. It depicts Christ, radiant in hues of white and blue, standing on the shattered gates of Hades. With arms outstretched He is joining hands with Adam and all the other Old Testament righteous whom He has found there. He leads them from the kingdom of death. By His death He tramples death.

“Today Hades cries out groaning:
I should not have accepted the Man born of Mary.
He came and destroyed my power.
He shattered the gates of brass.
As God, He raised the souls I had held captive.
Glory to Thy cross and resurrection, O Lord!”
(Vesperal Liturgy of Holy Saturday)

THE VESPERAL LITURGY

The Vespers of Holy Saturday inaugurates the Paschal celebration, for the liturgical cycle of the day always begins in the evening. In the past, this service constituted the first part of the great Paschal vigil during which the catechumens were baptized in the “baptisterion” and led in procession back into the church for participation in their first Divine Liturgy, the Paschal Eucharist. Later, with the number of catechumens increasing, the first baptismal part of the Paschal celebration was disconnected from the liturgy of the Paschal night and formed our pre-paschal service: Vespers and the Liturgy of Saint Basil the Great which follows it. It still keeps the marks of the early celebration of Pascha as baptismal feast and that of Baptism as Paschal sacrament (death and resurrection with Jesus Christ—Romans 6).

On “Lord I Call” the Saturday Resurrectional stichiras of Tone 1 are sung, followed by the the special stichiras of Holy Saturday, which stress the death of Christ as descent into Hades, the region of death, for its destruction. But the pivotal point of the service occurs after the Entrance, when fifteen lessons from the Old Testament are read, all centered on the promise of the Resurrection, all glorifying the ultimate Victory of God, prophesied in the victorious Song of Moses after the crossing of the Red Sea (“Let us sing to the Lord, for gloriously has He been glorified”), the salvation of Jonah, and that of the three youths in the furnace.

Then the epistle is read, the same epistle that is still read at Baptism (Romans 6:3-11), in which Christ’s death and resurrection become the source of the death in us of the “old man,” the resurrection of the new, whose life is in the Risen Lord. During the special verses sung after the epistle, “Arise, O God, and judge the earth,” the dark lenten vestments are put aside and the clergy vest in the bright white ones, so that when the celebrant appears with the Gospel the light of Resurrection is truly made visible in us, the “Rejoice” with which the Risen Christ greeted the women at the grave is experienced as being directed at us.

The Liturgy of Saint Basil continues in this white and joyful light, revealing the Tomb of Christ as the Life-giving Tomb, introducing us into the ultimate reality of Christ’s Resurrection, communicating His life to us, the children of fallen Adam.

One can and must say that of all services of the Church that are inspiring, meaningful, revealing, this one: the Vespers and Liturgy of Saint Basil the Great and Holy Saturday is truly the liturgical climax of the Church. If one opens one’s heart and mind to it and accepts its meaning and its light, the very truth of Orthodoxy is given by it, the taste and the joy of that new life which shines forth from the grave.

Rev. Alexander Schmemann

Saint Niketas (Nikḗtas) the Confessor was born in Bithynian Caesarea (northwest Asia Minor) of a pious family. His mother died eight days after his birth, and his father Philaretos became a monk. The child remained in the care of his grandmother, who raised him in a true Christian spirit. From his youth Saint Niketas attended church and was a disciple of the hermit Stephanos. With his blessing, Saint Niketas set off to the Mydicia monastery, where Saint Nikephoros (Nikēphóros) (March 13) was the igumen.

After seven years of virtuous life at the monastery, famed for its strict monastic rule, Saint Niketas was ordained presbyter. Saint Nikephoros, knowing the holy life of the young monk, entrusted to him the guidance of the monastery when he himself became ill.

Not wanting power, Saint Niketas devoted himself to the enlightenment and welfare of the monastery. He guided the brethren by his own example. Soon the fame of the lofty life of its inhabitants of the monastery attracted many seeking salvation. After several years, the number of monks had increased to one hundred.

When Saint Nikephoros departed to the Lord in his old age, the brethren unanimously chose Saint Niketas as igumen.

The Lord granted Saint Niketas the gift of wonderworking. Through his prayer a deaf-mute child received the gift of speech; two demon-possessed women were healed; he restored reason to one who had lost his mind, and many of the sick were healed of their infirmities.

During these years under the emperor Leo the Armenian (813-820), the Iconoclast heresy resurfaced and oppression increased. Orthodox bishops were deposed and banished. At Constantinople a council of heretics was convened in 815, at which they deposed the holy Patriarch Nikephoros (806-815), and in his place they chose the heretical layman Theodotus. They also installed heretics in place of exiled and imprisoned Orthodox bishops.

The emperor summoned all the heads of the monasteries and tried to bring them over to the Iconoclast heresy. Among those summoned was Saint Niketas, who stood firmly for the Orthodox confession. Following his example, all the igumens remained faithful to the veneration of holy icons. Therefore, they threw him into prison. Saint Niketas bravely underwent all the tribulations and encouraged firmness of spirit in the other prisoners.

Then the emperor and the false patriarch Theodotus attempted to trick those who remained faithful to Orthodox teaching. They promised that the emperor would give them their freedom and permit the veneration of the icons on one condition: that they take Communion from the pseudo-patriarch Theodotus.

For a long time the saint had doubts about entering into communion with a heretic, but other prisoners begged him to go along with them. Acceding to their entreaties, Saint Niketas went into the church, where icons were put out to deceive the confessors, and he accepted Communion.

But when he returned to his monastery and saw that the persecution against icons was continuing, he then repented of his deed, returned to Constantinople and fearlessly denounced the Iconoclast heresy. He ignored all the emperor’s threats.

Saint Niketas was again locked up in prison for six years until the death of the emperor Leo the Armenian. Enduring hunger and travail, Saint Niketas worked miracles by the power of his prayers: through his prayer the Phrygian ruler released two captives without ransom; three shipwrecked men for whom Saint Niketas prayed, were thrown up on shore by the waves.

Saint Niketas reposed in the Lord in 824. The saint’s body was buried at the monastery with reverence. Later, his relics became a source of healing for those coming to venerate the holy confessor.

Saint Theodosίa of Tyre lived during the III and IV centuries. Once, during a persecution against Christians, which had already lasted for five years, the seventeen-year-old Theodosίa visited some condemned Christian prisoners in the Praetorium at Caesarea in Palestine. It was the day of Holy Pascha, and the Martyrs were speaking about the Kingdom of God. Saint Theodosίa asked them to remember her when they appeared before the Lord.

When the soldiers saw that the girl had bowed to the prisoners, they seized her and led her before the governor, Urban. The governor urged the Saint to offer sacrifice to the idols, but she refused, professing her faith in Christ. Then she was subjected to cruel tortures; her sides and breasts were raked with iron claws until her bones were exposed. She endured this in silence with astonishing courage. Again Urban told her to sacrifice, but she mocked him saying: “Foolish man, why do you persist? Can you not see that I have received everything I prayed for, and that I am honored to share the fate of these Martyrs for Christ?"

After saying this, she was tormented even more severely than before. The holy virgin was cast into the sea with a stone tied around her neck, but Angels rescued her from the depths. Then they tossed her into the arena to be eaten by wild animals. Seeing that the beasts would not touch her, the soldiers beheaded her.

That night Saint Theodosίa appeared to her parents, who had tried to persuade their daughter not to let herself be tortured. She wore radiant garments, a crown upon her head, and held a luminous gold cross in her hand. She said to them, “Behold the great glory of which you wished to deprive me!”

The Holy Virgin Martyr Theodosίa of Tyre suffered for Christ on April 3 in the year 307 or 308. She is also commemorated on May 29 (the transfer of her relics to Constantinople, and later to Venice).

No information available at this time.

Saint Illyricus the Wonderworker devoted himself to ascetic struggles on Mount Myrsinon in the Peloponnesus. The dates of his birth and death are unknown.

The Holy Martyrs Elpidephorus, Dius, Bithonius, and Galycus suffered for their faith in Jesus Christ. They cut off the head of Saint Elpidephorus with a sword, Saint Dius was executed by stoning, Saint Bithonius was drowned in the sea, and Saint Galycus was condemned to be eaten by wild beasts.

The "Unfading Flower" Icon depicts the Theotokos holding her Divine Son on her right arm, and in her left hand is a bouquet of white lilies. The lilies symbolize the unfading flower of virginity and purity of the Mother of God, to whom the Church sings: “You are the root of virginity and the Unfading Flower of purity.”

In Moscow there are two churches with Icons with this name: the church of the Dormition at Mogil'tsy (December 31), and the Alexeyev Monastery. Other icons of this name are in Kungur (Perm Gubernia); in the former town of Kadome of Tambov Province, namely, in the Merciful Theotokos womens' monastery; and in the Nativity of the Theotokos church of Voronezh.

There is a similar Icon in the church of Saint Nicholas in the village of Budishch (Poltava Gubernia). It resembles a number of very old icons which are also revered in that place. Every year on April 3, many people gather in the village of Budishch to venerate this Icon, along with a copy of the Vladimir Icon of the Mother of God. Several miraculous healings of the sick have occurred before this Icon.