Lives of all saints commemorated on April 16

Lazarus Saturday and Palm Sunday

Visible triumphs are few in the earthly life of our Lord Jesus Christ. He preached a kingdom “not of this world.” At His nativity in the flesh there was “no room at the inn.” For nearly thirty years, while He grew “in wisdom and in stature, and in favor with God and man” (Luke 2:52), He lived in obscurity as “the son of Mary.” When He appeared from Nazareth to begin His public ministry, one of the first to hear of Him asked: “Can anything good come out of Nazareth?” (John 1:46). In the end He was crucified between two thieves and laid to rest in the tomb of another man.

Two brief days stand out as sharp exceptions to the above—days of clearly observable triumph. These days are known in the Church today as Lazarus Saturday and Palm Sunday. Together they form a unified liturgical cycle which serves as the passage from the forty days of Great Lent to Holy Week. They are the unique and paradoxical days before the Lord’s Passion. They are days of visible, earthly triumph, of resurrectional and messianic joy in which Christ Himself is a deliberate and active participant. At the same time they are days which point beyond themselves to an ultimate victory and final kingship which Christ will attain not by raising one dead man or entering a particular city, but by His own imminent suffering, death and resurrection.

By raising Lazarus from the dead before Thy Passion,
Thou didst confirm the universal resurrection, 0 Christ God!
Like the children with the palms of victory,
we cry out to Thee, 0 Vanquisher of Death:
Hosanna in the highest!
Blessed is He that comes in the name of the Lord!
(Troparion of the Feast, sung on both Lazarus Saturday and Palm Sunday)

Lazarus Saturday

In a carefully detailed narrative the Gospel relates how Christ, six days before His own death, and with particular mindfulness of the people “standing by, that they may believe that thou didst send me” (John 11:42), went to His dead friend Lazarus at Bethany outside of Jerusalem. He was aware of the approaching death of Lazarus but deliberately delayed His coming, saying to His disciples at the news of His friend’s death: “For your sake I am glad that I was not there, so that you may believe” (John 11:14).

When Jesus arrived at Bethany, Lazarus was already dead four days. This fact is repeatedly emphasized by the Gospel narrative and the liturgical hymns of the feast. The four-day burial underscores the horrible reality of death. Man, created by God in His own image and likeness, is a spiritual-material being, a unity of soul and body. Death is destruction; it is the separation of soul and body. The soul without the body is a ghost, as one Orthodox theologian puts it, and the body without the soul is a decaying corpse. “I weep and I wail, when I think upon death, and behold our beauty, fashioned after the image of God, lying in the tomb dishonored, disfigured, bereft of form.” This is a hymn of Saint John of Damascus sung at the Church’s burial services. This “mystery” of death is the inevitable fate of man fallen from God and blinded by his own prideful pursuits.

With epic simplicity the Gospel records that, on coming to the scene of the horrible end of His friend, “Jesus wept” (John 11:35). At this moment Lazarus, the friend of Christ, stands for all men, and Bethany is the mystical center of the world. Jesus wept as He saw the “very good” creation and its king, man, “made through Him” (John 1:3) to be filled with joy, life and light, now a burial ground in which man is sealed up in a tomb outside the city, removed from the fullness of life for which he was created, and decomposing in darkness, despair and death. Again as the Gospel says, the people were hesitant to open the tomb, for “by this time there will be an odor, for he has been dead four days” (John 11:39).

When the stone was removed from the tomb, Jesus prayed to His Father and then cried with a loud voice: “Lazarus, come out.” The icon of the feast shows the particular moment when Lazarus appears at the entrance to the tomb. He is still wrapped in his grave clothes and his friends, who are holding their noses because of the stench of his decaying body, must unwrap him. In everything stress is laid on the audible, the visible and the tangible. Christ presents the world with this observable fact: on the eve of His own suffering and death He raises a man dead four days! The people were astonished. Many immediately believed on Jesus and a great crowd began to assemble around Him as the news of the raising of Lazarus spread. The regal entry into Jerusalem followed.

Lazarus Saturday is a unique day: on a Saturday a Matins and Divine Liturgy bearing the basic marks of festal, resurrectional services, normally proper to Sundays, are celebrated. Even the baptismal hymn is sung at the Liturgy instead of Holy God: “As many as have been baptized into Christ, have put on Christ.”

Very Rev. Paul Lazor

The Holy Martyrs Agape, Irene, and Chionia were sisters who lived at the end of the third century to the beginning of the fourth century, near the Italian city of Aquilea. They were left orphaned at an early age.

The young women led a pious Christian life and they turned down many offers of marriage. Their spiritual guide was the priest Xeno. It was revealed to him in a vision that he would die very soon, and that the holy virgins would suffer martyrdom. Also at Aquilea and having a similar vision was the Great Martyr Anastasia (December 22), who is called “Deliverer from Potions,” because she fearlessly visited Christians in prison, encouraging them and healing them from potions, poisons, and other harmful things. The Great Martyr Anastasia visited the sisters and urged them to endure all things for Christ. Soon what was predicted in the vision came to pass. The priest Zeno died, and the three virgins were arrested and brought to trial before the emperor Diocletian (284-305).

Saint Chionia (“snow” in Greek) preserved the purity of her baptism according to the words of the Prophet-King David, “You will wash me, and I shall be whiter than snow” (Ps. 50/51:7).

Saint Irene (“peace” in Greek) preserved the peace of Christ within herself and manifested it to others, according to the Savior’s word, “My peace I give you” (John 14:27).

Saint Agape (“love” in Greek) loved God with all her heart, and her neighbor as herself (Mt.22:37-39).

Seeing the youthful beauty of the sisters, the emperor urged them to deny Christ and he promised to find them illustrious bridegrooms from his entourage. The holy sisters replied that their only Bridegroom was Christ, for Whom they were ready to suffer. The emperor demanded they renounce Christ, but neither the elder sisters, nor the youngest, would consent. They called the pagan gods mere idols made by human hands, and they preached faith in the true God.

By order of Diocletian, who was leaving for Macedonia, the holy sisters were also to be brought there. And they brought them to the court of the governor Dulcititus.

When he saw the beauty of the holy martyrs, he was aroused with impure passion. He put the sisters under guard, and he told them that they would receive their freedom if they agreed to fulfill his desires. But the holy martyrs replied that they were prepared to die for their Heavenly Bridegroom, Christ.

Then Dulcititus decided to have his way by force. When the holy sisters arose at night to glorify the Lord in prayer, Dulcititus came to the door and tried to enter, but an invisible force prevented him. He staggered about, unable to find his way out. Then he fell down in the kitchen among the cooking utensils, the pots and pans, and he was covered all over with soot. The servants and the soldiers recognized him only with difficulty. When he saw himself in a mirror, he then realized that the holy martyrs had made a fool of him, and he decided to take his revenge on them.

At his court, Dulcititus gave orders to strip the holy martyrs. But the soldiers were not able to do this, no matter how much they tried. Their clothing seemed to be stuck to the bodies of the holy virgins. During the trial Dulcititus suddenly fell asleep, and no one could rouse him. Just as they carried him into his house, he immediately awoke.

When they reported to the emperor Diocletian everything that had happened, he became angry with Dulcititus and he gave the holy virgins over to Sisinius for trial. He began with the youngest sister, Irene. Seeing that she remained unyielding, he sent her to prison and then attempted to sway Saints Chionia and Agape. He also failed to make them renounce Christ, and Sisinius ordered that Saints Agape and Chionia be burned. On hearing the sentence, the sisters gave thanks to the Lord for their crowns of martyrdom. In the fire, Agape and Chionia surrendered their pure souls to the Lord.

When the fire went out, everyone saw that the bodies of the holy martyrs and their clothing had not been scorched by the fire, and their faces were beautiful and peaceful, as if they were asleep. On the day following, Sisinius gave orders to bring Saint Irene to court. He threatened her with the fate of her older sisters and he urged her to renounce Christ. Then he threatened to hand her over for defilement in a brothel. But the holy martyr answered, “Even if my body is defiled by force, my soul will never be defiled by renouncing Christ.”

When the soldiers of Sisinius led Saint Irene to the brothel, two luminous soldiers overtook them and said, “Your master Sisinius commands you to take this virgin to a high mountain and leave her there, and then return to him and report to him that you have fulfilled his command.” And the soldiers did so.

When they reported back to Sisinius, he flew into a rage, since he had given no such orders. The luminous soldiers were angels of God, saving the holy martyr from defilement. Sisinius went to the mountain with a detachment of soldiers and saw Saint Irene on the summit. For a long while they searched for the way to the top, but they could not find it. Then one of the soldiers wounded Saint Irene with an arrow. The martyr cried out to Sisinius, “I mock your impotent malice, and I go my Lord Jesus Christ pure and undefiled.” Having given thanks to the Lord, she lay down upon the ground and surrendered her soul to God on the very day of Holy Pascha (+ 304).

The Great Martyr Anastasia heard about the end of the holy sisters, and she buried their bodies with reverence.

The Holy Martyr Leonidas and the Holy Martyrs Charissa, Nike (Nika, Victoria), Galina, Kalista (Kalida), Nunekhia, Basilissa, Irene, and Theodora suffered at Corinth in the year 258. They threw them into the sea, but they did not drown. Instead, they walked upon the water as if on dry land, singing spiritual hymns. The torturers overtook them in a ship, tied stones around their necks and drowned them.

No information available at this time.

No information available at this time.

The Il'insk (Prophet Elias)-Chernigov Icon of the Mother of God was painted in 1658 by the iconographer Gregory Dubensky (Gennadios in monasticism). The history of the Icon's creation and its miracles are described by a witness of these events, Saint Demetrios, Metropolitan of Rostov, in the works "A Miracle of the Most Holy and Most Blessed Virgin Mary," and "The Bedewed Fleece" (Руно орошенное). Some miracles are also mentioned by Saint John (Maximovich), Metropolitan of Tobolsk (June 10) in a poem "To the Virgin Theotokos." In 1662 there was a miraculous flow of tears from the Il'insk-Chernigov Icon, which continued from April 16-24, in connection with which a Feast Day was appointed for the Icon. In the same year, Chernigov was attacked by the Tatars, who ravaged the city and its environs, including the Holy Trinity-Il'insk Monastery, but, as Saint Demetrios testifies, the Icon and its precious oklad remained unharmed. The brethren who had taken refuge in the underground caves were also spared.

From the XVII century, cases of miracles from the Il'insk-Chernigov Icon were recorded with particular care. In "The Bedewed Fleece," Saint Demetrios described in detail 24 miraculous healings (one every hour) from all sorts of ailments of the residents of Chernigov and its environs. The list of miracles was augmented when the book was reprinted. Thus, by 1696, there were 56 cases of healing (5 from blindness, 3 from a disease of the legs, 3 from "gostza" (rheumatism). 1 from paralysis, 15 from demonic possession, 14 from clouding of the mind, 15 from various chronic diseases, and 1 instance of a boy raised from the dead. In the XIX century, several healings were observed: a Romny bourgeois from a fever (1865), a Chernigov girl from a mental disorder (on the Icon's Feast Day in 1874), and an infant from a high fever (1887 or 1888), the son of a Poltava landowner from diphtheria (until 1898), and a staff captain from Sveaborg from a chronic illness (until 1898), and several others.

Before HolyTrinity Cathedral was built in the Monastery (1679-1695), the Icon was kept in the church of the Prophet Elias near the caves, to the right near the pillar closest to the iconostasis. In 1786-1794, in connection with the planned opening of the University of Holy Trinity-Il'insk Monastery at Chernigov, but this did not occur, so the Icon was placed in the Dormition Cathedral of the Yelets Chernigov Convent, which was dedicated to the Dormition of the Most Holy Theotokos. In the XIX century, the Icon was in the cathedral, but only during the summertime. In winter, the Icon was transferred to the heated church of the Nativity of Christ, and placed in a special case behind the right kliros. At the beginning of the XX century, in winter, the Il'insk-Chernigov Icon of the Mother of God was kept in the Sretensky church in the Bishop's residence, and a substitute icon was left in the cathedral. The wonderworking Icon disappeared after the closure of Holy Trinity-Il'insk Monastery in 1924.

At the end of the XVII century, by the initiative of Archbishop Lazarus (Baranovich) and at the expense of Hetman I. S. Mazepa (whose initials and coat of arms were on the case), a silver oklad and a kiot were made (these have not been preserved). A crown with precious stones was donated by the Chernigov Colonel V. Dunin-Borkovsky, who received healing from the Icon in 1687 The dimensions of the Icon (1 arshin, 5 vershkas by 14.5 vershts – 93.37×64.45 cm) were increased when placed in the kiot because it was overlaid with a frame covered with silver plates with additional images engraved on them (2 arshins 2 vershkas by 1 arshin 6 vershks (151.24×97.8 cm) together with the frame). Attached to the case were plaques with inscriptions: "This holy image of the Mother of God, called Il'insk-Chernigov, was painted in 1658" and "The miraculous flow of tears from the Icon apparently occurred in 1662, from the 16th to the 24th day of the month of April." "In 1662 the Tatars invaded the city of Chernigov, but the hands of the impious Saracens could not touch this wonderworking Icon." In 1897 the oklad was replaced by a new one, made in Moscow by M. N. Ryndin with donations from the residents of Chernigov. There was an inscription on it: "This silver riza was made to replace the old one, which had fallen into disrepair, with the blessing of Bishop Anthony of Chernigov and Nizhyn, with the zeal of the benevolent donors of Chernigov. Hierodeacon Varlaam was sent to Moscow to order this riza from the master M. N. Ryndin, 1897, the weight of this riza is 33 ф. 29 з."

Revered copies of the Il'insk-Chernigov Icon, made at the end of the XVII-XVIII centuries, were in all the churches of Chernigov. At present, two copies are venerated in the Yelets Dormition Monastery in Chernigov.

The wonderworking copy of the Chernigov Icon of the Mother of God, which was kept in the Gethsemane Skete of Holy Trinity-Saint Sergius Lavra, became famous in 1869.

The Icon belongs to the traditional Hodegetria type. The Child blesses with His right hand, and a scroll in his left. He sits on the left hand of His Mother. The heads of the Mother of God and the Child are slightly inclined toward each other, the Child's legs are tightly together. The figure of the Mother of God has an almost generational edge, characteristic of the southern and western Russian iconography of the Mother of God of the XVII century. The Child is dressed in a white shirt with a collar. A distinctive feature of Il'insk-Chernigov iconography. The Icon is a gesture of the Infant's hand stretched forward. Identical or fairly similar compositional solutions are present in a number of other wonderworking Icons of the Mother of God associated with Belarus and Ukraine (Borkolabovskaya, Trigorskaya, Poddubetska, Gerbovetskaya Icons of the Mother of God).

In copies of the wonderworking Icon, crowns were often depicted on the heads of the Mother of God and her Child, which were absent on the Icon itself, but were present on its oklad. For the first time, crowns were depicted in an engraving of 1683 in Saint Demetrios of Rostov's book "The Bedewed Fleece." Obviously, this engraving became a model for Ukrainian and Russian icons, and on such copies the identifying inscription at the bottom was usually repeated (icon of 1778, Chernigov State Icon, Historical and Architectural Museum-Reserve).

In 1686, Saint Pitirim (July 28) came to Tambov and, along with other relics, he brought with him a copy of the Il'insk-Chernigov Icon of the Mother of God, considered to be the patroness of the southwestern region. For this reason, the Icon was placed at the southwestern gate of the city. Over time, the Icon began to be called Tambov, especially since there were some differences between it and the Il'insk-Chernigov Icon of the Mother of God.

On the borders of the Icon, on the right and on the left, were depicted: Saint Alexei, the Man of God, and Saint Eudoxia. It is assumed that these were the heavenly patrons of Bishop Pitirim's parents, and it is quite possible that he himself painted the images of those Saints.

Later, on the site of the southwestern city gate, a small wooden church was built and dedicated to the Holy Apostles Peter and Paul. It was in this church that the Icon was kept. And when the merchant Ivan Utkin built the stone church of the Holy Protomartyr Stephen at his own expense in 1771-1778, the Tambov Icon was transferred there and placed in the altar above the altar. People began to call the church by the name of the builder Utkinskaya, and the Icon was later completely forgotten.

But the Queen of Heaven reminded people of herself. At the beginning of the XIX century, a priest in Kaluga, was suffering from a malady of his legs and could not walk. He saw this Icon of the Mother of God in a dream. She told him: "Find this icon. Pray before it and you shall be healed." After the dream, the priest received some relief from his illness, so that he was able to walk, and immediately he began to search for the Icon he had seen in the dream. After visiting various villages and towns, he finally reached Tambov, where, after inspecting all the churches, he found the Icon he had seen in his dream in the altar of the Utkin church. After praying before it, he received complete healing. This incident became widely known in the city, and afterward there were several more miraculous healings of the townspeople.

The Tambov Icon became famous again, and when in 1835 the old Utkin church was severely damaged. At the request of the townspeople, the right side altar was consecrated in honor of the Tambov Icon of the Mother of God. With the passage of time, the grateful Tambov residents adorned the Icon with a luxurious silver-gilt riza with many precious stones. There were so many cures from the Icon that there was no time to record all of them. In 1888, by decree of the Holy Synod, a Cross Procession took place in all the churches of the city on April 16 in honor of the Tambov Icon, and in 1900 the church was once again called the church of the Theotokos.

After the 1917 revolution, Tambov's churches were devastated, and the wonderworking Icon also suffered. The riza was removed and the stones were pried out, and then it disappeared without a trace. There are revered copies of the wonderworking Icon in the city.

The Tambov Icon is commemorated on April 16, and again on July 28 (the repose of Bishop Pitirim).