Lives of all saints commemorated on April 16

Pascha (Easter)

Enjoy ye all the feast of faith; receive ye all the riches of loving-kindness.
(Sermon of Saint John Chrysostom, read at Paschal Matins)

The resurrection of Jesus Christ from the dead is the center of the Christian faith. Saint Paul says that if Christ is not raised from the dead, then our preaching and faith are in vain (I Cor. 15:14). Indeed, without the resurrection there would be no Christian preaching or faith. The disciples of Christ would have remained the broken and hopeless band which the Gospel of John describes as being in hiding behind locked doors for fear of the Jews. They went nowhere and preached nothing until they met the risen Christ, the doors being shut (John 20: 19). Then they touched the wounds of the nails and the spear; they ate and drank with Him. The resurrection became the basis of everything they said and did (Acts 2-4): “. . . for a spirit has not flesh and bones as you see that I have” (Luke 24:39).

The resurrection reveals Jesus of Nazareth as not only the expected Messiah of Israel, but as the King and Lord of a new Jerusalem: a new heaven and a new earth.

Then I saw a new heaven and a new earth. . . the holy city, new Jerusalem. And I heard a great voice from the throne saying “Behold, the dwelling place of God is with men. He will dwell with them, and they shall be his people. . . He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain any more, for the former things have passed away (Rev. 21:1-4).

In His death and resurrection, Christ defeats the last enemy, death, and thereby fulfills the mandate of His Father to subject all things under His feet (I Cor. 15:24-26).

Worthy is the Lamb who was slain, to receive power and wealth and wisdom and might and honor and glory and blessing (Rev. 5: 12)

THE FEAST OF FEASTS

The Christian faith is celebrated in the liturgy of the Church. True celebration is always a living participation. It is not a mere attendance at services. It is communion in the power of the event being celebrated. It is God’s free gift of joy given to spiritual men as a reward for their self-denial. It is the fulfillment of spiritual and physical effort and preparation. The resurrection of Christ, being the center of the Christian faith, is the basis of the Church’s liturgical life and the true model for all celebration. This is the chosen and holy day, first of sabbaths, king and lord of days, the feast of feasts, holy day of holy days. On this day we bless Christ forevermore (Irmos 8, Paschal Canon).

PREPARATION

Twelve weeks of preparation precede the “feast of feasts.” A long journey which includes five prelenten Sundays, six weeks of Great Lent and finally Holy Week is made. The journey moves from the self-willed exile of the prodigal son to the grace-filled entrance into the new Jerusalem, coming down as a bride beautifully adorned for her husband (Rev. 21:2) Repentance, forgiveness, reconciliation, prayer, fasting, almsgiving, and study are the means by which this long journey is made.

Focusing on the veneration of the Cross at its midpoint, the lenten voyage itself reveals that the joy of the resurrection is achieved only through the Cross. “Through the cross joy has come into all the world,” we sing in one paschal hymn. And in the paschal troparion, we repeat again and again that Christ has trampled down death—by death! Saint Paul writes that the name of Jesus is exalted above every name because He first emptied Himself, taking on the lowly form of a servant and being obedient even to death on the Cross (Phil. 2:5-11). The road to the celebration of the resurrection is the self-emptying crucifixion of Lent. Pascha is the passover from death to life.

Yesterday I was buried with Thee, O Christ.
Today I arise with Thee in Thy resurrection.
Yesterday I was crucified with Thee:
Glorify me with Thee, O Savior, in Thy kingdom (Ode 3, Paschal Canon).

THE PROCESSION

The divine services of the night of Pascha commence near midnight of Holy Saturday. At the Ninth Ode of the Canon of Nocturn, the priest, already vested in his brightest robes, removes the Holy Shroud from the tomb and carries it to the altar table, where it remains until the leave-taking of Pascha. The faithful stand in darkness. Then, one by one, they light their candles from the candle held by the priest and form a great procession out of the church. Choir, servers, priest and people, led by the bearers of the cross, banners, icons and Gospel book, circle the church. The bells are rung incessantly and the angelic hymn of the resurrection is chanted.

The procession comes to a stop before the principal doors of the church. Before the closed doors the priest and the people sing the troparion of Pascha, “Christ is risen from the dead...”, many times. Even before entenng the church the priest and people exchange the paschal greeting: “Christ is risen! Indeed He is risen!” This segment of the paschal services is extremely important. It preserves in the expenence of the Church the primitive accounts of the resurrection of Christ as recorded in the Gospels. The angel rolled away the stone from the tomb not to let a biologically revived but physically entrapped Christ walk out, but to reveal that “He is not here; for He has risen, as He said” (Matt. 28:6).

In the paschal canon we sing:

Thou didst arise, O Christ, and yet the tomb remained sealed, as at Thy birth the Virgin’s womb remained unharmed; and Thou has opened for us the gates of paradise (Ode 6).

Finally, the procession of light and song in the darkness of night, and the thunderous proclamation that, indeed, Christ is risen, fulfill the words of the Evangelist John: “The light shines in darkness, and the darkness has not overcome it” (John 1:5).

The doors are opened and the faithful re-enter. The church is bathed in light and adorned with flowers. It is the heavenly bride and the symbol of the empty tomb:

Bearing life and more fruitful than paradise
Brighter than any royal chamber,
Thy tomb, O Christ, is the fountain or our resurrection (Paschal Hours).

MATINS

Matins commences immediately. The risen Christ is glorified in the singing of the beautiful canon of Saint John of Damascus. The paschal greeting is repeatedly exchanged. Near the end of Matins the paschal verses are sung. They relate the entire narrative of the Lord’s resurrection. They conclude with the words calling us to actualize among each other the forgiveness freely given to all by God:

This is the day of resurrection.
Let us be illumined by the feast.
Let us embrace each other.
Let us call “brothers” even those who hate us,
And forgive all by the resurrection. . .

The sermon of Saint John Chrysostom is then read by the celebrant. The sermon was originally composed as a baptismal instruction. It is retained by the Church in the paschal services because everything about the night of Pascha recalls the Sacrament of Baptism: the language and general terminology of the liturgical texts, the specific hymns, the vestment color, the use of candles and the great procession itself. Now the sermon invites us to a great reaffirmation of our baptism: to union with Christ in the receiving of Holy Communion.

If any man is devout and loves God, let him enjoy this fair and radiant triumphal feast. . . the table is fully laden; feast you all sumptuously. . . the calf is fatted, let no one go hungry away. . .

THE DIVINE LITURGY

The sermon announces the imminent beginning of the Divine Liturgy. The altar table is fully laden with the divine food: the Body and Blood of the risen and glorified Christ. No one is to go away hungry. The service books are very specific in saying that only he who partakes of the Body and Blood of Christ eats the true Pascha. The Divine Liturgy, therefore, normally follows immediately after paschal Matins. Foods from which the faithful have been asked to abstain during the lenten journey are blessed and eaten only after the Divine Liturgy.

THE DAY WITHOUT EVENING

Pascha is the inauguration of a new age. It reveals the mystery of the eighth day. It is our taste, in this age, of the new and unending day of the Kingdom of God. Something of this new and unending day is conveyed to us in the length of the paschal services, in the repetition of the paschal order for all the services of Bright Week, and in the special paschal features retained in the services for the forty days until Ascension. Forty days are, as it were, treated as one day. Together they comprise the symbol of the new time in which the Church lives and toward which she ever draws the faithful, from one degree of glory to another.

O Christ, great and most holy Pascha.
O Wisdom, Word and Power of God,
grant that we may more perfectly partake of Thee in the never-ending day of Thy kingdom
(Ninth Ode, Paschal Canon).

The V. Rev. Paul Lazor
New York, 1977

The Holy Martyrs Agape, Irene, and Chionia were sisters who lived at the end of the third century to the beginning of the fourth century, near the Italian city of Aquilea. They were left orphaned at an early age.

The young women led a pious Christian life and they turned down many offers of marriage. Their spiritual guide was the priest Xeno. It was revealed to him in a vision that he would die very soon, and that the holy virgins would suffer martyrdom. Also at Aquilea and having a similar vision was the Great Martyr Anastasia (December 22), who is called “Deliverer from Potions,” because she fearlessly visited Christians in prison, encouraging them and healing them from potions, poisons, and other harmful things. The Great Martyr Anastasia visited the sisters and urged them to endure all things for Christ. Soon what was predicted in the vision came to pass. The priest Zeno died, and the three virgins were arrested and brought to trial before the emperor Diocletian (284-305).

Saint Chionia (“snow” in Greek) preserved the purity of her baptism according to the words of the Prophet-King David, “You will wash me, and I shall be whiter than snow” (Ps. 50/51:7).

Saint Irene (“peace” in Greek) preserved the peace of Christ within herself and manifested it to others, according to the Savior’s word, “My peace I give you” (John 14:27).

Saint Agape (“love” in Greek) loved God with all her heart, and her neighbor as herself (Mt.22:37-39).

Seeing the youthful beauty of the sisters, the emperor urged them to deny Christ and he promised to find them illustrious bridegrooms from his entourage. The holy sisters replied that their only Bridegroom was Christ, for Whom they were ready to suffer. The emperor demanded they renounce Christ, but neither the elder sisters, nor the youngest, would consent. They called the pagan gods mere idols made by human hands, and they preached faith in the true God.

By order of Diocletian, who was leaving for Macedonia, the holy sisters were also to be brought there. And they brought them to the court of the governor Dulcititus.

When he saw the beauty of the holy martyrs, he was aroused with impure passion. He put the sisters under guard, and he told them that they would receive their freedom if they agreed to fulfill his desires. But the holy martyrs replied that they were prepared to die for their Heavenly Bridegroom, Christ.

Then Dulcititus decided to have his way by force. When the holy sisters arose at night to glorify the Lord in prayer, Dulcititus came to the door and tried to enter, but an invisible force prevented him. He staggered about, unable to find his way out. Then he fell down in the kitchen among the cooking utensils, the pots and pans, and he was covered all over with soot. The servants and the soldiers recognized him only with difficulty. When he saw himself in a mirror, he then realized that the holy martyrs had made a fool of him, and he decided to take his revenge on them.

At his court, Dulcititus gave orders to strip the holy martyrs. But the soldiers were not able to do this, no matter how much they tried. Their clothing seemed to be stuck to the bodies of the holy virgins. During the trial Dulcititus suddenly fell asleep, and no one could rouse him. Just as they carried him into his house, he immediately awoke.

When they reported to the emperor Diocletian everything that had happened, he became angry with Dulcititus and he gave the holy virgins over to Sisinius for trial. He began with the youngest sister, Irene. Seeing that she remained unyielding, he sent her to prison and then attempted to sway Saints Chionia and Agape. He also failed to make them renounce Christ, and Sisinius ordered that Saints Agape and Chionia be burned. On hearing the sentence, the sisters gave thanks to the Lord for their crowns of martyrdom. In the fire, Agape and Chionia surrendered their pure souls to the Lord.

When the fire went out, everyone saw that the bodies of the holy martyrs and their clothing had not been scorched by the fire, and their faces were beautiful and peaceful, as if they were asleep. On the day following, Sisinius gave orders to bring Saint Irene to court. He threatened her with the fate of her older sisters and he urged her to renounce Christ. Then he threatened to hand her over for defilement in a brothel. But the holy martyr answered, “Even if my body is defiled by force, my soul will never be defiled by renouncing Christ.”

When the soldiers of Sisinius led Saint Irene to the brothel, two luminous soldiers overtook them and said, “Your master Sisinius commands you to take this virgin to a high mountain and leave her there, and then return to him and report to him that you have fulfilled his command.” And the soldiers did so.

When they reported back to Sisinius, he flew into a rage, since he had given no such orders. The luminous soldiers were angels of God, saving the holy martyr from defilement. Sisinius went to the mountain with a detachment of soldiers and saw Saint Irene on the summit. For a long while they searched for the way to the top, but they could not find it. Then one of the soldiers wounded Saint Irene with an arrow. The martyr cried out to Sisinius, “I mock your impotent malice, and I go my Lord Jesus Christ pure and undefiled.” Having given thanks to the Lord, she lay down upon the ground and surrendered her soul to God on the very day of Holy Pascha (+ 304).

The Great Martyr Anastasia heard about the end of the holy sisters, and she buried their bodies with reverence.

The Holy Martyr Leonidas and the Holy Martyrs Charissa, Nike (Nika, Victoria), Galina, Kalista (Kalida), Nunekhia, Basilissa, Irene, and Theodora suffered at Corinth in the year 258. They threw them into the sea, but they did not drown. Instead, they walked upon the water as if on dry land, singing spiritual hymns. The torturers overtook them in a ship, tied stones around their necks and drowned them.

No information available at this time.

No information available at this time.

The Il'insk (Prophet Elias)-Chernigov Icon of the Mother of God was painted in 1658 by the iconographer Gregory Dubensky (Gennadios in monasticism). The history of the Icon's creation and its miracles are described by a witness of these events, Saint Demetrios, Metropolitan of Rostov, in the works "A Miracle of the Most Holy and Most Blessed Virgin Mary," and "The Bedewed Fleece" (Руно орошенное). Some miracles are also mentioned by Saint John (Maximovich), Metropolitan of Tobolsk (June 10) in a poem "To the Virgin Theotokos." In 1662 there was a miraculous flow of tears from the Il'insk-Chernigov Icon, which continued from April 16-24, in connection with which a Feast Day was appointed for the Icon. In the same year, Chernigov was attacked by the Tatars, who ravaged the city and its environs, including the Holy Trinity-Il'insk Monastery, but, as Saint Demetrios testifies, the Icon and its precious oklad remained unharmed. The brethren who had taken refuge in the underground caves were also spared.

From the XVII century, cases of miracles from the Il'insk-Chernigov Icon were recorded with particular care. In "The Bedewed Fleece," Saint Demetrios described in detail 24 miraculous healings (one every hour) from all sorts of ailments of the residents of Chernigov and its environs. The list of miracles was augmented when the book was reprinted. Thus, by 1696, there were 56 cases of healing (5 from blindness, 3 from a disease of the legs, 3 from "gostza" (rheumatism). 1 from paralysis, 15 from demonic possession, 14 from clouding of the mind, 15 from various chronic diseases, and 1 instance of a boy raised from the dead. In the XIX century, several healings were observed: a Romny bourgeois from a fever (1865), a Chernigov girl from a mental disorder (on the Icon's Feast Day in 1874), and an infant from a high fever (1887 or 1888), the son of a Poltava landowner from diphtheria (until 1898), and a staff captain from Sveaborg from a chronic illness (until 1898), and several others.

Before HolyTrinity Cathedral was built in the Monastery (1679-1695), the Icon was kept in the church of the Prophet Elias near the caves, to the right near the pillar closest to the iconostasis. In 1786-1794, in connection with the planned opening of the University of Holy Trinity-Il'insk Monastery at Chernigov, but this did not occur, so the Icon was placed in the Dormition Cathedral of the Yelets Chernigov Convent, which was dedicated to the Dormition of the Most Holy Theotokos. In the XIX century, the Icon was in the cathedral, but only during the summertime. In winter, the Icon was transferred to the heated church of the Nativity of Christ, and placed in a special case behind the right kliros. At the beginning of the XX century, in winter, the Il'insk-Chernigov Icon of the Mother of God was kept in the Sretensky church in the Bishop's residence, and a substitute icon was left in the cathedral. The wonderworking Icon disappeared after the closure of Holy Trinity-Il'insk Monastery in 1924.

At the end of the XVII century, by the initiative of Archbishop Lazarus (Baranovich) and at the expense of Hetman I. S. Mazepa (whose initials and coat of arms were on the case), a silver oklad and a kiot were made (these have not been preserved). A crown with precious stones was donated by the Chernigov Colonel V. Dunin-Borkovsky, who received healing from the Icon in 1687 The dimensions of the Icon (1 arshin, 5 vershkas by 14.5 vershts – 93.37×64.45 cm) were increased when placed in the kiot because it was overlaid with a frame covered with silver plates with additional images engraved on them (2 arshins 2 vershkas by 1 arshin 6 vershks (151.24×97.8 cm) together with the frame). Attached to the case were plaques with inscriptions: "This holy image of the Mother of God, called Il'insk-Chernigov, was painted in 1658" and "The miraculous flow of tears from the Icon apparently occurred in 1662, from the 16th to the 24th day of the month of April." "In 1662 the Tatars invaded the city of Chernigov, but the hands of the impious Saracens could not touch this wonderworking Icon." In 1897 the oklad was replaced by a new one, made in Moscow by M. N. Ryndin with donations from the residents of Chernigov. There was an inscription on it: "This silver riza was made to replace the old one, which had fallen into disrepair, with the blessing of Bishop Anthony of Chernigov and Nizhyn, with the zeal of the benevolent donors of Chernigov. Hierodeacon Varlaam was sent to Moscow to order this riza from the master M. N. Ryndin, 1897, the weight of this riza is 33 ф. 29 з."

Revered copies of the Il'insk-Chernigov Icon, made at the end of the XVII-XVIII centuries, were in all the churches of Chernigov. At present, two copies are venerated in the Yelets Dormition Monastery in Chernigov.

The wonderworking copy of the Chernigov Icon of the Mother of God, which was kept in the Gethsemane Skete of Holy Trinity-Saint Sergius Lavra, became famous in 1869.

The Icon belongs to the traditional Hodegetria type. The Child blesses with His right hand, and a scroll in his left. He sits on the left hand of His Mother. The heads of the Mother of God and the Child are slightly inclined toward each other, the Child's legs are tightly together. The figure of the Mother of God has an almost generational edge, characteristic of the southern and western Russian iconography of the Mother of God of the XVII century. The Child is dressed in a white shirt with a collar. A distinctive feature of Il'insk-Chernigov iconography. The Icon is a gesture of the Infant's hand stretched forward. Identical or fairly similar compositional solutions are present in a number of other wonderworking Icons of the Mother of God associated with Belarus and Ukraine (Borkolabovskaya, Trigorskaya, Poddubetska, Gerbovetskaya Icons of the Mother of God).

In copies of the wonderworking Icon, crowns were often depicted on the heads of the Mother of God and her Child, which were absent on the Icon itself, but were present on its oklad. For the first time, crowns were depicted in an engraving of 1683 in Saint Demetrios of Rostov's book "The Bedewed Fleece." Obviously, this engraving became a model for Ukrainian and Russian icons, and on such copies the identifying inscription at the bottom was usually repeated (icon of 1778, Chernigov State Icon, Historical and Architectural Museum-Reserve).

In 1686, Saint Pitirim (July 28) came to Tambov and, along with other relics, he brought with him a copy of the Il'insk-Chernigov Icon of the Mother of God, considered to be the patroness of the southwestern region. For this reason, the Icon was placed at the southwestern gate of the city. Over time, the Icon began to be called Tambov, especially since there were some differences between it and the Il'insk-Chernigov Icon of the Mother of God.

On the borders of the Icon, on the right and on the left, were depicted: Saint Alexei, the Man of God, and Saint Eudoxia. It is assumed that these were the heavenly patrons of Bishop Pitirim's parents, and it is quite possible that he himself painted the images of those Saints.

Later, on the site of the southwestern city gate, a small wooden church was built and dedicated to the Holy Apostles Peter and Paul. It was in this church that the Icon was kept. And when the merchant Ivan Utkin built the stone church of the Holy Protomartyr Stephen at his own expense in 1771-1778, the Tambov Icon was transferred there and placed in the altar above the altar. People began to call the church by the name of the builder Utkinskaya, and the Icon was later completely forgotten.

But the Queen of Heaven reminded people of herself. At the beginning of the XIX century, a priest in Kaluga, was suffering from a malady of his legs and could not walk. He saw this Icon of the Mother of God in a dream. She told him: "Find this icon. Pray before it and you shall be healed." After the dream, the priest received some relief from his illness, so that he was able to walk, and immediately he began to search for the Icon he had seen in the dream. After visiting various villages and towns, he finally reached Tambov, where, after inspecting all the churches, he found the Icon he had seen in his dream in the altar of the Utkin church. After praying before it, he received complete healing. This incident became widely known in the city, and afterward there were several more miraculous healings of the townspeople.

The Tambov Icon became famous again, and when in 1835 the old Utkin church was severely damaged. At the request of the townspeople, the right side altar was consecrated in honor of the Tambov Icon of the Mother of God. With the passage of time, the grateful Tambov residents adorned the Icon with a luxurious silver-gilt riza with many precious stones. There were so many cures from the Icon that there was no time to record all of them. In 1888, by decree of the Holy Synod, a Cross Procession took place in all the churches of the city on April 16 in honor of the Tambov Icon, and in 1900 the church was once again called the church of the Theotokos.

After the 1917 revolution, Tambov's churches were devastated, and the wonderworking Icon also suffered. The riza was removed and the stones were pried out, and then it disappeared without a trace. There are revered copies of the wonderworking Icon in the city.

The Tambov Icon is commemorated on April 16, and again on July 28 (the repose of Bishop Pitirim).