Lives of all saints commemorated on April 27

Great and Holy Saturday is the day on which Christ reposed in the tomb. The Church calls this day the Blessed Sabbath.

“The great Moses mystically foreshadowed this day when he said:
God blessed the seventh day.
This is the blessed Sabbath
This is the day of rest,
on which the only-begotten Son of God rested from all His works....”

(Vesperal Liturgy of Holy Saturday)

By using this title the Church links Holy Saturday with the creative act of God. In the initial account of creation as found in the Book of Genesis, God made man in His own image and likeness. To be truly himself, man was to live in constant communion with the source and dynamic power of that image: God. Man fell from God. Now Christ, the Son of God through whom all things were created, has come to restore man to communion with God. He thereby completes creation. All things are again as they should be. His mission is consummated. On the Blessed Sabbath He rests from all His works.

THE TRANSITION

Holy Saturday is a neglected day in parish life. Few people attend the Services. Popular piety usually reduces Holy Week to one day—Holy Friday. This day is quickly replaced by another—Easter Sunday. Christ is dead and then suddenly alive. Great sorrow is suddenly replaced by great joy. In such a scheme Holy Saturday is lost.

In the understanding of the Church, sorrow is not replaced by joy; it is transformed into joy. This distinction indicates that it is precisely within death that Christ continues to effect triumph.

TRAMPLING DOWN DEATH BY DEATH

We sing that Christ is “...trampling down death by death” in the troparion of Easter. This phrase gives great meaning to Holy Saturday. Christ’s repose in the tomb is an “active” repose. He comes in search of His fallen friend, Adam, who represents all men. Not finding him on earth, he descends to the realm of death, known as Hades in the Old Testament. There He finds him and brings him life once again. This is the victory: the dead are given life. The tomb is no longer a forsaken, lifeless place. By His death Christ tramples down death by death.

THE ICON OF THE DESCENT INTO HADES

The traditional icon used by the Church on the feast of Easter is an icon of Holy Saturday: the descent of Christ into Hades. It is a painting of theology, for no one has ever seen this event. It depicts Christ, radiant in hues of white and blue, standing on the shattered gates of Hades. With arms outstretched He is joining hands with Adam and all the other Old Testament righteous whom He has found there. He leads them from the kingdom of death. By His death He tramples death.

“Today Hades cries out groaning:
I should not have accepted the Man born of Mary.
He came and destroyed my power.
He shattered the gates of brass.
As God, He raised the souls I had held captive.
Glory to Thy cross and resurrection, O Lord!”
(Vesperal Liturgy of Holy Saturday)

THE VESPERAL LITURGY

The Vespers of Holy Saturday inaugurates the Paschal celebration, for the liturgical cycle of the day always begins in the evening. In the past, this service constituted the first part of the great Paschal vigil during which the catechumens were baptized in the “baptisterion” and led in procession back into the church for participation in their first Divine Liturgy, the Paschal Eucharist. Later, with the number of catechumens increasing, the first baptismal part of the Paschal celebration was disconnected from the liturgy of the Paschal night and formed our pre-paschal service: Vespers and the Liturgy of Saint Basil the Great which follows it. It still keeps the marks of the early celebration of Pascha as baptismal feast and that of Baptism as Paschal sacrament (death and resurrection with Jesus Christ—Romans 6).

On “Lord I Call” the Saturday Resurrectional stichiras of Tone 1 are sung, followed by the the special stichiras of Holy Saturday, which stress the death of Christ as descent into Hades, the region of death, for its destruction. But the pivotal point of the service occurs after the Entrance, when fifteen lessons from the Old Testament are read, all centered on the promise of the Resurrection, all glorifying the ultimate Victory of God, prophesied in the victorious Song of Moses after the crossing of the Red Sea (“Let us sing to the Lord, for gloriously has He been glorified”), the salvation of Jonah, and that of the three youths in the furnace.

Then the epistle is read, the same epistle that is still read at Baptism (Romans 6:3-11), in which Christ’s death and resurrection become the source of the death in us of the “old man,” the resurrection of the new, whose life is in the Risen Lord. During the special verses sung after the epistle, “Arise, O God, and judge the earth,” the dark lenten vestments are put aside and the clergy vest in the bright white ones, so that when the celebrant appears with the Gospel the light of Resurrection is truly made visible in us, the “Rejoice” with which the Risen Christ greeted the women at the grave is experienced as being directed at us.

The Liturgy of Saint Basil continues in this white and joyful light, revealing the Tomb of Christ as the Life-giving Tomb, introducing us into the ultimate reality of Christ’s Resurrection, communicating His life to us, the children of fallen Adam.

One can and must say that of all services of the Church that are inspiring, meaningful, revealing, this one: the Vespers and Liturgy of Saint Basil the Great and Holy Saturday is truly the liturgical climax of the Church. If one opens one’s heart and mind to it and accepts its meaning and its light, the very truth of Orthodoxy is given by it, the taste and the joy of that new life which shines forth from the grave.

Rev. Alexander Schmemann

The Holy Apostle and Hieromartyr Simeon, a kinsman of the Lord, was the son of Cleopas, who was the younger brother of Saint Joseph the Betrothed. Thus, Saint Simeon is Joseph's nephew, and a cousin of the Lord. As an adult, he witnessed the miracles of the Lord Jesus Christ, believed in Him, and became one of the 70 Apostles. Saint Simeon proclaimed the teachings of Christ, was instructed in the truths of the holy Faith, and denounced idol worship. After the murder of the Holy Apostle James (October 23), the first Bishop of Jerusalem, Christians chose the Apostle Simeon to succeed him.

The Emperors Vespasian and Domitian had ordered that all descendants of King David be put to death. Emperor Trajan (98-117) renewed that decree, and certain heretics and some others denounced Saint Simeon as a descendant of King David, as well as a Christian.

The pagans arrested Saint Simeon, who at that time was more than one hundred and twenty years old. He astonished the judge and his attendants by enduring several days of torture, and then he was crucified in the year 107, during Trajan's reign, when Atticus was consul.

The Parisian Codices contain a Service in honor of Saint Simeon, the poem of the hymnographer Theophanēs. (Some Synaxaristes also commemorate him on September 18).

Saint Stephen, Igumen of the Caves, Bishop of Vladimir in Volhynia, pursued asceticism at the Kiev Caves monastery under the guidance of Saint Theodosius (May 3). Saint Theodosius sometimes entrusted him to exhort the brethren with edifying words.

Before the death of Saint Theodosius the monks asked him to appoint Saint Stephen as Igumen, who was the domesticus (chief arranger for the choir). “He grew up under your instruction,” they said, “and he served you. Give him to us.” So Saint Theodosius transferred the guidance of the monastery to Saint Stephen.

During his tenure as Superior, he laid the foundations of a spacious church in honor of the Dormition of the Most Holy Theotokos, begun under Saint Theodosius. The cells of the brethren were moved near the new church. At the front of the place there were several cells for monks who were entrusted with burying the dead. They served the Divine Liturgy each day, and also commemorated the dead.

In 1078 Saint Stephen was removed from office and driven from the monastery through the malice of an evil monk. He endured this meekly and without bitterness, and continued to pray for those who had turned against him.

Saint Stephen learned that master builders had come from Greece with an icon of the Theotokos, and they told him of the appearance of the Heavenly Queen at Blachernae. Because of this, Saint Stephen also built a church at Klovo in honor of the Theotokos (in memory of the Placing of Her Robe at Blachernae). The monastery was founded in thanksgiving for solicitude of the Most Holy Theotokos for the Caves monastery.

In 1091 Saint Stephen was made Bishop of Vladimir in Volhynia, and he participated in the transfer of the relics of Saint Theodosius from the cave to the monastery (August 14). He also labored to convert the inhabitants of Volhynia to Christianity.

Saint Stephen died on April 27, 1094 during the sixth hour of the night.

Saint Eulogios lived in the Thebaid, in Egypt, and his occupation was that of a quarryman (stone cutter). He was called the Xenodokhos (one who receives strangers), because during his life, his greatest concern and pleasure was to offer hospitality in his home, and to provide every assistance to the poor and to pilgrims.

Despite his heavy and laborious work, each evening, as soon as he finished his work, he would run to the marketplace, holding a lantern in the winter, and went looking for strangers, to offer them shelter and every other hospitality. He once hosted Abba Daniel (June 7) and his disciple, when they came to the city and were left without food and shelter.

Saint Eulogios lived for over a hundred years, benefiting his fellow men (Mark 9:41), and he reposed in peace during the VI century. As his name indicates, he was truly a most blessed man.

After his death in Trnovo, Bulgaria on January 14, 1235 Saint Savva was buried in the Cathedral of the Forty Martyrs. On May 6, 1237 his relics were carried in procession from Trnovo to Mileshevo Monastery in Serbia. When the casket was opened, the relics were found to be incorrupt, and produced an ineffable fragrance. In 1253, the Serbian Orthodox Church glorified the holy hierarch Savva as a Saint.

Following the Battle of Kosovo on June 25, 1389, the Serbian nation fell under the Turkish Yoke. During this period the Serbs continued to visit the tomb of Saint Savva, asking him to give them the strength to endure the oppressive persecution they suffered at the hands of the Turks. His icon was placed on their flags, and the faithful turned to the Saint for encouragement, consolation, and healing.

The Serbs revolted in 1595, led by Patriarch John Kantul and others. Sinan Pasha, the Turkish military leader in Belgrade, sent soldiers to crush the rebellion. Sultan Mohammed II ordered that the relics of Saint Savva be burnt. On Great and Holy Friday, the Turks removed the Saint's relics from Mileshevo Monastery. The next day, April 27, they climbed Savinac Hill in the Vrachar district and set fire to the holy relics.

Instead of becoming despondent, the Serbs were inspired to even greater love for Christ, for Holy Orthodoxy, and for Saint Savva. Although the Saint's relics had been destroyed, the people continued to venerate him, and to remember the burning of his relics every year.

After national independence in 1879, there was a proposal to build a memorial church in honor of Saint Savva. In 1895, the three hundredth anniversary of the burning of Saint Savva's relics, plans were made to build a church on the site where his relics were burnt. A temporary chapel was constructed the following year, but it was not possible to build a large cathedral until after World War I. In 1927, Patriarch Barnabas announced a competition for architects to submit designs for the cathedral. In 1935, architects were chosen and construction began.

During World War II, work was halted when the Communists seized power. Only in 1984 did Patriarch German receive government approval to resume construction. On June 25, 1989, Patriarch German served the first Divine Liturgy in Saint Savva's Memorial Cathedral, which towers over the city of Belgrade.

There is a famous Serbian saying: "Sinan Pasha lit the flames, Savva's body burned, but Savva's memory and his glory did not burn."